[Footnote 39: Matthew Gregory Lewis (1775-1818), known as "Monk" Lewis, was the son of a rich Jamaica planter. During a six months' visit to Weimar (1792-3), when he was introduced to Goethe, he applied himself to the study of German literature, especially novels and the drama. In 1794 he was appointed 'attaché' to the Embassy at the Hague, and in the course of ten weeks wrote 'Ambrosio, or The Monk', which was published in 1795. In 1798 he made the acquaintance of Scott, and procured his promise of co-operation in his contemplated 'Tales of Terror'. In the same year he published the 'Castle Spectre' (first played at Drury Lane, Dec. 14, 1797), in which, to quote the postscript "To the Reader," he meant (but Sheridan interposed) "to have exhibited a whole regiment of Ghosts." 'Tales of Terror' were printed at Weybridge in 1801, and two or three editions of 'Tales of Wonder', to which Byron refers, came out in the same year. Lewis borrowed so freely from all sources that the collection was called "Tales of Plunder." In the first edition (two vols., printed by W. Bulmer for the author, 1801) the first eighteen poems, with the exception of 'The Fire King' (xii.) by Walter Scott, are by Lewis, either original or translated. Scott also contributed 'Glenfinlas, The Eve of St. John, Frederick and Alice, The Wild Huntsmen (Der Wilde Jäger). Southey contributed six poems, including 'The Old Woman of Berkeley' (xxiv.). 'The Little Grey Man' (xix.) is by H. Bunbury. The second volume is made up from Burns, Gray, Parnell, Glover, Percy's 'Reliques', and other sources. A second edition, published in 1801, which consists of thirty-two ballads (Southey's are not included), advertises "'Tales of Terror' printed uniform with this edition of 'Tales of Wonder'." 'Romantic Tales', in four volumes, appeared in 1808. Of his other works, 'The Captive, A Monodrama', was played in 1803; the 'Bravo of Venice, A Translation from the German', in 1804; and 'Timour the Tartar' in 1811. His 'Journal of a West Indian Proprietor' was not published till 1834. He sat as M.P. for Hindon (1796-1802). He had been a favourite in society before Byron appeared on the scene, but there is no record of any intimacy or acquaintance before 1813. When Byron was living at Geneva, Lewis visited the Maison Diodati in August, 1816, on which occasion he "translated to him Goethe's 'Faust' by word of mouth," and drew up a codicil to his will, witnessed by Byron, Shelley, and Polidori, which contained certain humane provisions for the well-being of the negroes on his Jamaica estates. He also visited him at 'La Mira' in August, 1817. Byron wrote of him after his death: "He was a good man, and a clever one, but he was a bore, a damned bore--one may say. But I liked him."