The Works of Lord Byron, Vol. 1. PoetryByron, George Gordon Byron, Baron
General
The Works of Lord Byron, Vol. 1. Poetry
Byron, George Gordon Byron, Baron
Poetry
[Footnote 15: It cannot be complained now, as in the Lady Baussière's
time, of the "Sieur de la Croix," that there be "no whiskers;" but how
far these are indications of valour in the field, or elsewhere, may
still be questionable. Much may be, and hath been;[A] avouched on both
sides. In the olden time philosophers had whiskers, and soldiers
none--Scipio himself was shaven--Hannibal thought his one eye handsome
enough without a beard; but Adrian, the emperor, wore a beard (having
warts on his chin, which neither the Empress Sabina nor even the
courtiers could abide)--Turenne had whiskers, Marlborough
none--Buonaparte is unwhiskered, the Regent whiskered; "'argal'"
greatness of mind and whiskers may or may not go together; but certainly
the different occurrences, since the growth of the last mentioned, go
further in behalf of whiskers than the anathema of Anselm did
'against' long hair in the reign of Henry I.--Formerly, 'red'
was a favourite colour. See Lodowick Barrey's comedy of 'Ram
Alley', 1661; Act I. Scene I.
'Taffeta'. Now for a wager--What coloured beard comes next by the
window?
'Adriana'. A black man's, I think.
'Taffeta'. I think not so: I think a 'red', for that is most in
fashion.
There is "nothing new under the sun:" but 'red', then a 'favourite', has
now subsided into a favourite's colour. [This is, doubtless, an allusion
to Lord Yarmouth, whose fiery whiskers gained him the nickname of "Red
Herrings."]
[Sub-Footnote A: The paragraph "Much may be" down to "reign of Henry
I." was added in Revise 1, and the remainder of the note in Revise 2.]]
[Footnote 16: Madame Genlis (Stephanie Félicité Ducrest, Marquise de
Sillery), commenting on the waltz, writes,
"As a foreigner, I shall not take the liberty to censure this kind of
dance; but this I can say, that it appears intolerable to German
writers of superior merits who are not accused of severity of
manners,"
and by way of example instances M. Jacobi, who affirms that "Werther
('Sorrows of Werther', Letter ix.), the lover of Charlotte, swears that,
were he to perish for it, never should a girl for whom he entertained
any affection, and on whom he had honourable views, dance the waltz with
any other man besides himself."--'Selections from the Works of Madame de
Genlis' (1806), p. 65.
Compare, too, "Faulkland" on country-dances in 'The Rivals', act ii. sc.
I,
"Country-dances! jigs and reels! ... A minuet I could have forgiven
... Zounds! had she made one in a cotillon--I believe I could have
forgiven even that--but to be monkey-led for a night! to run the
gauntlet through a string of amorous palming puppies ... Oh, Jack,
there never can be but one man in the world whom a truly modest and
delicate woman ought to pair with in a country-dance; and even then,
the rest of the couples should be her great-uncles and aunts!"]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account