The Works of Lord Byron, Vol. 1. PoetryByron, George Gordon Byron, Baron
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The Works of Lord Byron, Vol. 1. Poetry
Byron, George Gordon Byron, Baron
Poetry
Whose yellow locks wave o'er the breast of a chief? Bright as the gold
of the stranger, they mingle with the dark hair of his friend. 'Tis
Calmar: he lies on the bosom of Orla. Theirs is one stream of blood.
Fierce is the look of the gloomy Orla. He breathes not; but his eye is
still a flame. It glares in death unclosed. His hand is grasped in
Calmar's; but Calmar lives! he lives, though low. "Rise," said the king,
"rise, son of Mora: 'tis mine to heal the wounds of Heroes. Calmar may
yet bound on the hills of Morven." [v]
"Never more shall Calmar chase the deer of Morven with Orla," said the
Hero. "What were the chase to me alone? Who would share the spoils of
battle with Calmar? Orla is at rest! Rough was thy soul, Orla! yet soft
to me as the dew of morn. It glared on others in lightning: to me a
silver beam of night. Bear my sword to blue-eyed Mora; let it hang in my
empty hall. It is not pure from blood: but it could not save Orla. Lay
me with my friend: raise the song when I am dark!"
They are laid by the stream of Lubar. Four grey stones mark the dwelling
of Orla and Calmar. When Swaran was bound, our sails rose on the blue
waves. The winds gave our barks to Morven:--the bards raised the song.
"What Form rises on the roar of clouds? Whose dark Ghost gleams on the
red streams of tempests? His voice rolls on the thunder. 'Tis Orla, the
brown Chief of Oithona. He was unmatched in war. Peace to thy soul,
Orla! thy fame will not perish. Nor thine, Calmar! Lovely wast thou, son
of blue-eyed Mora; but not harmless was thy sword. It hangs in thy cave.
The Ghosts of Lochlin shriek around its steel. Hear thy praise, Calmar!
It dwells on the voice of the mighty. Thy name shakes on the echoes of
Morven. Then raise thy fair locks, son of Mora. Spread them on the arch
of the rainbow, and smile through the tears of the storm. [3]
[Footnote 1: The MS. is preserved at Newstead.]
[Footnote 2: It may be necessary to observe, that the story, though
considerably varied in the catastrophe, is taken from "Nisus and
Euryalus," of which episode a translation is already given in the
present volume [see pp. 151-168].]
[Footnote 3: I fear Laing's late edition has completely overthrown every
hope that Macpherson's 'Ossian' might prove the translation of a series
of poems complete in themselves; but, while the imposture is discovered,
the merit of the work remains undisputed, though not without
faults--particularly, in some parts, turgid and bombastic diction.--The
present humble imitation will be pardoned by the admirers of the
original as an attempt, however inferior, which evinces an attachment to
their favourite author. [Malcolm Laing (1762-1818) published, in 1802, a
'History of Scotland, etc.', with a dissertation "on the supposed
authenticity of Ossian's Poems," and, in 1805, a work entitled 'The
Poems of Ossian, etc., containing the Poetical Works of James
Macpherson, Esq., in Prose and Rhyme, with Notes and Illustrations'.]
[Footnote i:
Public-domain text, read in full here on John Shaqi.
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