The controversy did not end there. A second advertisement (_Morning Chronicle_, November 15) of "Lord Byron's Pilgrimage," etc., stating that "the copyright of the work was consigned" to the Publisher "exclusively by the Noble Author himself, and for which he gives 500 guineas," precedes Murray's second announcement of _The Prisoners of Chillon_, and the Third Canto of _Childe Harold_, in which he informs "the public that the poems lately advertised are not written by Lord Byron. The only bookseller at present authorised to print Lord Byron's poems is Mr. Murray...." Further precautions were deemed necessary. An injunction in Chancery was applied for by Byron's agents and representatives (see, for a report of the case in the _Morning Chronicle_, November 28, 1816, _Letters_, vol. iv., Letter to Murray, December 9, 1816, note), and granted by the Chancellor, Lord Eldon. Strangely enough, Sir Samuel Romilly, whom Byron did not love, was counsel for the plaintiff. In spite of the injunction, a volume entitled "_Lord Byron's Pilgrimage to the Holy Land_, a Poem in Two Cantos. To which is attached a fragment, _The Tempest_," was issued in 1817. It is a dull and, apparently, serious production, suggested by, but hardly an imitation of, _Childe Harold_. The notes are descriptive of the scenery, customs, and antiquities of Palestine. _The Tempest_, on the other hand, is a parody, and by no means a bad parody, of Byron at his worst; e.g.-- "There was a sternness in his eye, Which chilled the soul--one knew not why-- But when returning vigour came, And kindled the dark glare to flame, So fierce it flashed, one well might swear, A thousand souls were centred there." It is possible that this _Pilgrimage_ was the genuine composition of some poetaster who failed to get his poems published under his own name, or it may have been the deliberate forgery of John Agg, or Hewson Clarke, or C. F. Lawler, the _pseudo_ Peter Pindar--"Druids" who were in Johnston's pay, and were prepared to compose pilgrimages to any land, holy or unholy, which would bring grist to their employer's mill. (See the _Advertisements_ at the end of _Lord Byron's Pilgrimage, etc._) The Third Canto was published, not as announced, on the 23rd, but on the 18th of November. Murray's "auspicious hope" of success was amply fulfilled. He "wrote to Lord Byron on the 13th of December, 1816, informing him that at a dinner at the Albion Tavern, he had sold to the assembled booksellers 7000 of his Third Canto of _Childe Harold_...." The reviews were for the most part laudatory. Sir Walter Scott's finely-tempered eulogium (_Quart. Rev_., No. xxxi., October, 1816 [published February 11, 1817]), and Jeffrey's balanced and cautious appreciation (_Edin. Rev_., No. liv., December, 1816 [published February 14, 1817]) have been reprinted in their collected works. Both writers conclude with an aspiration--Jeffrey, that