The Works of Lord Byron. Vol. 3Byron, George Gordon Byron, Baron
General
The Works of Lord Byron. Vol. 3
Byron, George Gordon Byron, Baron
English poetry
"He [Hobhouse] told me an odd report,--that _I_ am the actual
Conrad, the veritable Corsair, and that part of my travels are
supposed to have passed in privacy [_sic;_?piracy]. Um! people
sometimes hit near the truth; but never the whole truth. H. don't
know what I was about the year after he left the Levant; nor does
any one--nor--nor--nor--however, it is a lie--but, 'I doubt the
equivocation of the fiend that lies like truth.'"
Very little weight can be attached to these "I could an I would"
pronouncements, deliberately framed to provoke curiosity, and destined,
no doubt, sooner or later to see the light; but the fact remains that
Conrad is not a mere presentation of Byron in a fresh disguise, or "The
Pirate's Tale" altogether a "painting of the imagination."
That the _Corsair_ is founded upon fact is argued at some length by the
author (an "English Gentleman in the Greek Military Service") of the
_Life, Writings, Opinions, and Times of the R. H. George Gordon Noel
Byron_, which was published in 1825. The point of the story (i.
197-201), which need not be repeated at length, is that Byron, on
leaving Constantinople and reaching the island of Zea (July, 1810),
visited ["strolled about"] the islands of the Archipelago, in company
with a Venetian gentleman who had turned buccaneer _malgré lui_, and
whose history and adventures, amatory and piratical, prefigured and
inspired the "gestes" of Conrad. The tale must be taken for what it is
worth; but it is to be remarked that it affords a clue to Byron's
mysterious entries in a journal which did not see the light till 1830,
five years after the "English Gentleman" published his volumes of
gossiping anecdote. It may, too, be noted that, although, in his
correspondence of 1810, 1811, there is no mention of any tour among the
"Isles of Greece," in a letter to Moore dated February 2, 1815
(_Letters_, 1899, iii. 176), Byron recalls "the interesting white
squalls and short seas of Archipelago memory."
How far Byron may have drawn on personal experience for his picture of a
pirate _chez lui_, it is impossible to say; but during the year 1809-11,
when he was travelling in Greece, the exploits of Lambros Katzones and
other Greek pirates sailing under the Russian flag must have been within
the remembrance and on the lips of the islanders and the "patriots" of
the mainland. The "Pirate's Island," from which "Ariadne's isle" (line
444) was visible, may be intended for Paros or Anti-Paros.
For the inception of Conrad (see Canto I. stanza ii.), the paradoxical
hero, an assortment rather than an amalgam of incongruous
characteristics, Byron may, perhaps, have been in some measure indebted
to the description of Malefort, junior, in Massinger's _Unnatural
Combat_, act i. sc. 2, line 20, sq.--
"I have sat with him in his cabin a day together,
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