The Works of Lord Byron. Vol. 3Byron, George Gordon Byron, Baron
General
The Works of Lord Byron. Vol. 3
Byron, George Gordon Byron, Baron
English poetry
If the facts which the "English Gentleman in the Greek Military Service"
(_Life, Writings, etc., of Lord Byron_, 1825, i. 191-201) gives in
detail with regard to the sources of the _Corsair_ are not wholly
imaginary, it is possible that the original Conrad's determination to
"quit so horrible a mode of life" and return to civilization may have
suggested to Byron the possible adventures and fate of a _grand
seigneur_ who had played the pirate in his time, and resumed his
ancestral dignities only to be detected and exposed by some rival or
victim of his wild and lawless youth.
_Lara_ was reviewed together with the _Corsair_, by George Agar Ellis in
the _Quarterly Review_ for July, 1814, vol. xi. p. 428; and in the
_Portfolio_, vol. xiv. p. 33.
LARA.[jb]
CANTO THE FIRST.[265]
I.
The Serfs[266] are glad through Lara's wide domain,[267]
And Slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord,
The long self-exiled Chieftain, is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far checkering o'er the pictured window, plays
The unwonted faggot's hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth. 10
II.
The Chief of Lara is returned again:
And why had Lara crossed the bounding main?
Left by his Sire, too young such loss to know,[268]
Lord of himself,--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood governed men.[jc] 20
It skills not, boots not step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,[jd]
But long enough to leave him half undone.
III.
Public-domain text, read in full here on John Shaqi.
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