The Works of Lord Byron. Vol. 4Byron, George Gordon Byron, Baron
General
The Works of Lord Byron. Vol. 4
Byron, George Gordon Byron, Baron
Poetry
"E tu, Vergine, figlia, e madre, e sposa,
Di quel Signor, che ti dette le chiave
Del cielo e dell' abisso, e d' ogni cosa,
Quel di che Gabriel tuo ti disse Ave!
Perchè tu se' de' tuo' servi pietosa,
Con dolce rime, e stil grato e soave,
Ajuta i versi miei benignamente,
E'nsino al fine allumina la mente.
III.
"Era nel tempo, quando Filomena
Colla sorella si lamenta e plora,
Che si ricorda di sua antica pena,
E pe' boschetti le ninfe innamora,
E Febo il carro temperato mena,
Che 'l suo Fetonte l'ammaestra ancora;
Ed appariva appunto all' orizzonte,
Tal che Titon si graffiava la fronte:
IV.
"Quand'io varai la mia barchetta, prima
Per ubbidir chi sempre ubbidir debbe
La mente, e faticarsi in prosa e in rima,
E del mio Carlo Imperador m'increbbe;
Che so quanti la penna ha posto in cima,
Che tutti la sua gloria prevarrebbe:
E stata quella istoria, a quel ch'i' veggio,
Di Carlo male intesa, e scritta peggio."]
[336] {287}[Philomela and Procne were daughters of Pandion, King of
Attica. Tereus, son of Ares, wedded Procne, and, after the birth of her
son Itys, concealed his wife in the country, with a view to dishonouring
Philomela, on the plea of her sister's death. Procne discovered the
plot, killed her babe, and served up his flesh in a dish for her
husband's dinner. The sisters fled, and when Tereus pursued them with an
axe they besought the gods to change them into birds. Thereupon Procne
became a swallow, and Philomela a nightingale. So Hyginus, _Fabulæ_,
xlv.; but there are other versions of Philomela's woes.]
[337] [In the first edition of the _Morgante Maggiore_ (Firenze, 1482
[_B. M._ G. 10834]), which is said (_vide_ the _colophon_) to have been
issued "under the correction of the author, line 2 of this stanza runs
thus: "_comegliebbe u armano el suo turpino_;" and, apparently, it was
not till 1518 (Milano, by Zarotti) that _Pipino_ was substituted for
_Turpino_. Leonardo Bruni, surnamed Aretino (1369-1444), in his _Istoria
Fiorentina_ (1861, pp. 43, 47), commemorates the imperial magnificence
of _Carlo Magno_, and speaks of his benefactions to the Church, but does
not--in that work, at any rate--mention his biographers. It is possible
that if Pulci or Bruni had read Eginhard, they thought that his
chronicle was derogatory to Charlemagne. (See Gibbon's _Decline and
Fall_, 1825, iii. 376, note 1, and Hallam's _Europe during the Middle
Ages_, 1868, p. 16, note 3; _et vide post_, p. 309.)]
Public-domain text, read in full here on John Shaqi.
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