The Works of Lucian of Samosata — Volume 02Lucian, of Samosata
Philosophy
The Works of Lucian of Samosata — Volume 02
Lucian, of Samosata
Lucian, of Samosata -- Translations into English
Hades still remains to be added, with all its tragic tale of guilt and
the punishment of guilt, and the loyal friendship that brought Theseus
thither with Pirithous. In a word, all that Homer and Hesiod and our best
poets, especially the tragedians, have sung,--all must be known to the
pantomime. From the vast, nay infinite, mass of mythology, I have made
this trifling selection of the more prominent legends; leaving the rest
for poets to celebrate, for pantomimes to exhibit, and for your
imagination to supply from the hints already given; and all this the
artist must have stored up in his memory, ready to be produced when
occasion demands.
Since it is his profession to imitate, and to show forth his subject by
means of gesticulation, he, like the orators, must acquire lucidity;
every scene must be intelligible without the aid of an interpreter; to
borrow the expression of the Pythian oracle,
Dumb though he be, and speechless, he is heard
by the spectator. According to the story, this was precisely the
experience of the Cynic Demetrius. He had inveighed against Pantomime in
just your own terms. The pantomime, he said, was a mere appendage to
flute and pipe and beating feet; he added nothing to the action; his
gesticulations were aimless nonsense; there was no meaning in them;
people were hoodwinked by the silken robes and handsome mask, by the
fluting and piping and the fine voices, which served to set off what in
itself was nothing. The leading pantomime of the day--this was in Nero's
reign--was apparently a man of no mean intelligence; unsurpassed, in
fact, in wideness of range and in grace of execution. Nothing, I think,
could be more reasonable than the request he made of Demetrius, which
was, to reserve his decision till he had witnessed his performance, which
he undertook to go through without the assistance of flute or song. He
was as good as his word. The time-beaters, the flutes, even the chorus,
were ordered to preserve a strict silence; and the pantomime, left to his
own resources, represented the loves of Ares and Aphrodite, the tell-tale
Sun, the craft of Hephaestus, his capture of the two lovers in the net,
the surrounding Gods, each in his turn, the blushes of Aphrodite, the
embarrassment of Ares, his entreaties,--in fact the whole story.
Demetrius was ravished at the spectacle; nor could there be higher praise
than that with which he rewarded the performer. 'Man,' he shrieked at the
top of his voice, 'this is not seeing, but hearing and seeing, both:'tis
as if your hands were tongues!'
Public-domain text, read in full here on John Shaqi.
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