Enough of him. Another is a keen emulator of Thucydides, and by way of close approximation to his model starts with his own name--most graceful of beginnings, redolent of Attic thyme! Look at it: 'Crepereius Calpurnianus of Pompeiopolis wrote the history of the war between Parthia and Rome, how they warred one upon the other, beginning with the commencement of the war.' After that exordium, what need to describe the rest--what harangues he delivers in Armenia, resuscitating our old friend the Corcyrean envoy--what a plague he inflicts on Nisibis (which would not espouse the Roman cause), lifting the whole thing bodily from Thucydides--except the Pelasgicum and the Long Walls, where the victims of the earlier plague found shelter; there the difference ends; like the other, 'it began in Ethiopia, whence it descended to Egypt,' and to most of the Parthian empire, where it very discreetly remained. I left him engaged in burying the poor Athenians in Nisibis, and knew quite well how he would continue after my exit. Indeed it is a pretty common belief at present that you are writing like Thucydides, if you just use his actual words, _mutatis mutandis_. [Footnote: Omitting, with Dindorf, the words which appear in the Teubner text, after emendation, as: mikra rakia, opos kai autos au phaiaes, on di autaen.] Ah, and I almost forgot to mention one thing: this same writer gives many names of weapons and military engines in Latin--_phossa_ for trench, _pons_ for bridge, and so forth. Just think of the dignity of history, and the Thucydidean style--the Attic embroidered with these Latin words, like a toga relieved and picked out with the purple stripe--so harmonious! Another puts down a bald list of events, as prosy and commonplace as a private's or a carpenter's or a sutler's diary. However, there is more sense in this poor man's performance; he flies his true colours from the first; he has cleared the ground for some educated person who knows how to deal with history. The only fault I have to find with him is that he inscribes his volumes with a solemnity rather disproportioned to the rank of their contents--'Parthian History, by Callimorphus, Surgeon of the 6th Pikemen, volume so-and-so.' Ah, yes, and there is a lamentable preface, which closes with the remark that, since Asclepius is the son of Apollo, and Apollo director of the Muses and patron of all culture, it is very proper for a doctor to write history. Also, he starts in Ionic, but very soon, for no apparent reason, abandons it for every-day Greek, still keeping the Ionic _es_ and _ks_ and _ous_, but otherwise writing like ordinary people--rather too ordinary, indeed.