The Works of Lucian of Samosata — Volume 03Lucian, of Samosata
Philosophy
The Works of Lucian of Samosata — Volume 03
Lucian, of Samosata
Lucian, of Samosata -- Translations into English
The fly’s force is shown by the fact that its bite pierces not
merely the human skin, but that of cattle and horses; it annoys
the elephant by getting into the folds of its hide, and letting
it know the efficiency of even a tiny trunk. There is much ease
and freedom about their love affairs, which are not disposed of
so expeditiously as by the domestic fowl; the act of union is
prolonged, and is found quite compatible with flight. A fly will
live and breathe for some time after its head is cut off.
The most remarkable point about its natural history is that which I
am now to mention. It is the one fact that Plato seems to me to
have overlooked in his discourse of the soul and its immortality.
If a little ashes be sprinkled on a dead fly, it gets up,
experiences a second birth, and starts life afresh, which is
recognized as a convincing proof that its soul is immortal,
inasmuch as after it has departed it returns, recognizes and
reanimates the body, and enables it to fly; so is confirmed the
tale about Hermotimus of Clazomenae—how his soul frequently left
him and went off on its own account, and afterwards returning
occupied the body again and restored the man to life.
It toils not, but lives at its case, profiting by the labours of
others, and finding everywhere a table spread for it. For it the
goats are milked, for its behoof and man’s the honey is stored, to
its palate the _chef_ adapts his sauces; it tastes before the
king himself, walks upon his table, shares his meal, and has the
use of all that is his.
Nest, home, local habitation, it has none; like the Scythians, it
elects to lead a wandering life, and where night finds it, there is
its hearth and its chamber. But as I said, it works no deeds of
darkness; ‘live openly’ is its motto; its principle is to do no
villany that, done in the face of day, would dishonour it.
Legend tells how Myia (the fly’s ancient name) was once a maiden,
exceeding fair, but over-given to talk and chatter and song,
Selene’s rival for the love of Endymion. When the young man slept,
she was for ever waking him with her gossip and tunes and
merriment, till he lost patience, and Selene in wrath turned her to
what she now is. And therefore it is that she still, in memory of
Endymion, grudges all sleepers their rest, and most of all the
young and tender. Her very bite and blood-thirst tell not of
savagery, but of love and human kindness; she is but enjoying
mankind as she may, and sipping beauty.
In ancient times there was a woman of her name, a poetess wise and
beautiful, and another a famous Attic courtesan, of whom the comic
poet wrote:
As deep as to his heart fair Myia bit him.
The comic Muse, we see, disdained not the name, nor refused it the
hospitality of the boards; and parents took no shame to give it to
their daughters. Tragedy goes further and speaks of the fly in high
terms of praise, as witness the following:
Public-domain text, read in full here on John Shaqi.
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