The cross has been a symbol for many thousands of years. It was a symbol of immortality--of life, of the god Agni, the form of the grave of a man. An ancient people of Italy, who lived long before the Romans, long before the Etruscans, so long that not one word of their language is known, used the cross, and beneath that emblem, carved on stone, their dead still rest. In the forests of Central America, ruined temples have been found, and on the walls the cross with the bleeding victim. On Babylonian cylinders is the impression of the cross. The Trinity came from Egypt. Osiris, Isis and Horus were worshiped thousands of years before our Father, Son and Holy Ghost were thought of. So the Tree of Life grew in India, China and among the Aztecs long before the Garden of Eden was planted. Long before our Bible was known, other nations had their sacred books, temples and altars, sacrifices, ceremonies and priests. The "Fall of Man" is far older than our religion, and so are the "Atonement" and the Scheme of Redemption. In our blessed religion there is nothing new, nothing original. Among the Egyptians the cross was a symbol of the life to come. And yet the first religion was, and all religions growing out of that, were naturally produced. Every brain was a field in which Nature sowed the seeds of thought. The rise and set of sun, the birth and death of day, the dawns of silver and the dusks of gold, the wonders of the rain and snow, the shroud of Winter and the many colored robe of Spring, the lonely moon with nightly loss or gain, the serpent lightning and the thunder's voice, the tempest's fury and the zephyr's sigh, the threat of storm and promise of the bow, cathedral clouds with dome and spire, earthquake and strange eclipse, frost and fire, the snow-crowned mountains with their tongues of flame, the fields of space sown thick with stars, the wandering comets hurrying past the fixed and sleepless sentinels of night, the marvels of the earth and air, the perfumed flower, the painted wing, the waveless pool that held within its magic breast the image of the startled face, the mimic echo that made a record in the viewless air, the pathless forests and the boundless seas, the ebb and flow of tides--the slow, deep breathing of some vague and monstrous life--the miracle of birth, the mystery of dream and death, and over all the silent and immeasurable dome. These were the warp and woof, and at the loom sat Love and Fancy, Hope and Fear, and wove the wondrous tapestries whereon we find pictures of gods and fairy lands and all the legends that were told when Nature rocked the cradle of the infant world. IV.