The Works of Robert G. Ingersoll, Vol. 03 (of 12): Dresden Edition—LecturesIngersoll, Robert Green
General
The Works of Robert G. Ingersoll, Vol. 03 (of 12): Dresden Edition—Lectures
Ingersoll, Robert Green
Free thought
"Magnifying and applying come I,
Outbidding at the start the old cautious hucksters,
Taking myself the exact dimensions of Jehovah, Lithographing Kronos,
Zeus his son, and Hercules his grandson,
Buying drafts of Osiris, Isis, Belus, Brahma, Buddha,
In my portfolio placing Manito loose, Allah on a leaf, the crucifix engraved,
With Odin and the hideous-faced Mexitli, and every idol and image,
Taking them all for what they are worth, and not a cent more."
Whitman keeps open house. He is intellectually hospitable. He extends
his hand to a new idea. He does not accept a creed because it is
wrinkled and old and has a long white beard. He knows that hypocrisy has
a venerable look, and that it relies on looks and masks, on stupidity
and fear. Neither does he reject or accept the new because it is new. He
wants the truth, and so he welcomes all until he knows just who and what
they are.
X. PHILOSOPHY.
WALT WHITMAN is a philosopher. The more a man has thought, the more he
has studied, the more he has traveled intellectually, the less certain
he is. Only the very ignorant are perfectly satisfied that they know.
To the common man the great problems are easy. He has no trouble in
accounting for the universe. He can tell you the origin and destiny of
man and the why and the wherefore of things. As a rule, he is a
believer in special providence, and is egotistic enough to suppose that
everything that happens in the universe happens in reference to him.
A colony of red ants lived at the foot of the Alps. It happened one day
that an avalanche destroyed the hill; and one of the ants was heard to
remark: "Who could have taken so much trouble to destroy our home?"
Walt Whitman walked by the side of the sea "where the fierce old mother
endlessly cries for her castaways," and endeavored to think out, to
fathom the mystery of being; and he said:
"I too but signify at the utmost a little wash'd-up drift,
A few sands and dead leaves to gather,
Gather, and merge myself as part of the sands and drift.
Aware now that amid all that blab whose echoes recoil upon me
I have not once had the least idea who or what I am,
But that before all my arrogant poems the real Me stands yet untouch'd,
untold, altogether unreach'd,
Withdrawn far, mocking me with mock-congratulatory signs and bows,
With peals of distant ironical laughter at every word I have written,
Pointing in silence to these songs, and then to the sand beneath....
I perceive I have not really understood any thing, not a single object,
and that no man ever can."
There is in our language no profounder poem than the one entitled
"Elemental Drifts."
The effort to find the origin has ever been, and will forever be,
fruitless. Those who endeavor to find the secret of life resemble a man
looking in the mirror, who thinks that if he only could be quick enough
he could grasp the image that he sees behind the glass.
The latest word of this poet upon this subject is as follows:
Public-domain text, read in full here on John Shaqi.
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