_Answer_. I have not read what Dr. Abbott has written on this subject. From your statement of his position, I think he entertains quite a sensible view, and, when we take into consideration that he is a minister, a miraculously sensible view. It is not the business of the dramatist, the actor, the painter or the sculptor to teach what the church calls morality. The dramatist and the actor ought to be truthful, ought to be natural--that is to say, truthfully and naturally artistic. He should present pictures of life properly chosen, artistically constructed; an exhibition of emotions truthfully done, artistically done. If vice is presented naturally, no one will fall in love with vice. If the better qualities of the human heart are presented naturally, no one can fail to fall in love with them. But they need not be presented for that purpose. The object of the artist is to present truthfully and artistically. He is not a Sunday school teacher. He is not to have the moral effect eternally in his mind. It is enough for him to be truly artistic. Because, as I have said, a great many times, the greatest good is done by indirection. For instance, a man lives a good, noble, honest and lofty life. The value of that life would be destroyed if he kept calling attention to it--if he said to all who met him, "Look at me!" he would become intolerable. The truly artistic speaks of perfection; that is to say, of harmony, not only of conduct, but of harmony and proportion in everything. The pulpit is always afraid of the passions, and really imagines that it has some influence on men and women, keeping them in the path of virtue. No greater mistake was ever made. Eternally talking and harping on that one subject, in my judgment, does harm. Forever keeping it in the mind by reading passages from the Bible, by talking about the "corruption of the human heart," of the "power of temptation," of the scarcity of virtue, of the plentifulness of vice--all these platitudes tend to produce exactly what they are directed against. _Question_. I fear, Colonel, that I have surprised you into agreeing with a clergyman. The following are the points made by the Rev. Dr. Abbott in his editorial on the theatre, and it seems to me that you and he think very much alike--on that subject. The points are these: 1. It is not the function of the drama to teach moral lessons. 2. A moral lesson neither makes nor mars either a drama or a novel. 3. The moral quality of a play does not depend upon the result.