The Works of Robert G. Ingersoll, Vol. 08 (of 12): Dresden Edition—InterviewsIngersoll, Robert Green
Religion
The Works of Robert G. Ingersoll, Vol. 08 (of 12): Dresden Edition—Interviews
Ingersoll, Robert Green
Free thought
In acting there must be natural growth, not sudden climax. The
atmosphere of the situation, the relation sustained to others,
should produce the emotions. Nothing should be strained. Beneath
domes there should be buildings, and buildings should have foundations.
There must be growth. There should be the bud, the leaf, the
flower, in natural sequence. There must be no leap from naked
branches to the perfect fruit.
Most actors depend on climax--they save themselves for the supreme
explosion. The scene opens with a slow match and ends when the
spark reaches the dynamite. So, most authors fill the first act
with contradictions and the last with explanations. Plots and
counter-plots, violence and vehemence, perfect saints and perfect
villains--that is to say, monsters, impelled by improbable motives,
meet upon the stage, where they are pushed and pulled for the sake
of the situation, and where everything is so managed that the fire
reaches the powder and the explosion is the climax.
There is neither time, nor climate, nor soil, in which the emotions
and intentions may grow. No land is plowed, no seed is sowed, no
rain falls, no light glows--the events are all orphans.
No one would enjoy a sudden sunset--we want the clouds of gold that
float in the azure sea. No one would enjoy a sudden sunrise--we
are in love with the morning star, with the dawn that modestly
heralds the day and draws aside, with timid hands, the curtains of
the night. In other words, we want sequence, proportion, logic,
beauty.
There are several actors in this country who are in perfect accord
with nature--who appear to make no effort--whose acting seems to
give them joy and rest. We do well what we do easily. It is a
great mistake to exhaust yourself, instead of the subject. All
great actors "fill the stage" because they hold the situation.
You see them and nothing else.
_Question_. Speaking of American actors, Colonel, I believe you
are greatly interested in the playing of Miss Marlowe, and have
given your opinion of her as Parthenia; what do you think of her
Julia and Viola?
Public-domain text, read in full here on John Shaqi.
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