The Works of Robert G. Ingersoll, Vol. 12 (of 12): Dresden Edition—MiscellanyIngersoll, Robert Green
Religion
The Works of Robert G. Ingersoll, Vol. 12 (of 12): Dresden Edition—Miscellany
Ingersoll, Robert Green
Free thought
because if you have a poor one you will simply make a present of it to
the enemy as soon as war opens. We should be ready to defend ourselves
against the world. Not that I think there is going to be any war, but
because I think that is the best way to prevent it. Until the whole
world shall have entered into the same spirit as the artist when he
painted that picture, until that spirit becomes general we have got to
be prepared for war. And we cannot depend upon war suasion. If a fleet
of men-of-war should sail into our harbor, talk would not be of any
good; we must be ready to answer them in their own way.
I suppose I have been selected to speak on art because I can speak on
that subject without prejudice, knowing nothing about it. I have on this
subject no hobbies, no pet theories, and consequently will give you not
what I know, but what I think. I am an Agnostic in many things, and the
way I understand art is this: In the first place we are all invisible
to each other. There is something called soul; something that thinks and
hopes and loves. It is never seen. It occupies a world that we call the
brain, and is forever, so far as we know, invisible. Each soul lives in
a world of its own, and it endeavors to communicate with another soul
living in a world of its own, each invisible to the other, and it does
this in a variety of ways. That is the noblest art which expresses the
noblest thought, that gives to another the noblest emotions that this
unseen soul has. In order to do this we have to seize upon the seen, the
visible. In other words, nature is a vast dictionary that we use simply
to convey from one invisible world to another what happens in our
invisible world. The man that lives in the greatest world and succeeds
in letting other worlds know what happens in his world, is the greatest
artist.
Public-domain text, read in full here on John Shaqi.
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