The Works of Robert G. Ingersoll, Vol. 12 (of 12): Dresden Edition—MiscellanyIngersoll, Robert Green
Religion
The Works of Robert G. Ingersoll, Vol. 12 (of 12): Dresden Edition—Miscellany
Ingersoll, Robert Green
Free thought
Now, gentlemen, I feel that we have all honored ourselves to-night by
honoring Rear Admiral Schley. I want you to know that long after we
are dead and long after the Admiral has ceased to sail, he will be
remembered, and in the constellation of glory one of the brightest stars
will stand for the name of Winfield Scott Schley, as brave an officer as
ever sailed a ship. I am glad I am here to-night, and again, gentlemen,
I congratulate you all upon being here. I congratulate you that you
belong to this race, to this nation, and that you are equal heirs in the
glory of the great Republic.
ADDRESS TO THE ACTORS' FUND OF AMERICA.
New York, June 5, 1888.
MR. PRESIDENT, Ladies and Gentlemen: I have addressed, or annoyed, a
great many audiences in my life and I have not the slightest doubt that
I stand now before more ability, a greater variety of talent, and more
real genius than I ever addressed in my life.
I know all about respectable stupidity, and I am perfectly acquainted
with the brainless wealth and success of this life, and I know, after
all, how poor the world would be without that divine thing that we call
genius--what a worthless habitation, if you take from it all that genius
has given.
I know also that all joy springs from a love of nature. I know that all
joy is what I call Pagan. The natural man takes delight in everything
that grows, in everything that shines, in everything that enjoys--he has
an immense sympathy with the whole human race.
Of that feeling, of that spirit, the drama is born. People must first be
in love with life before they can think it worth representing. They
must have sympathy with their fellows before they can enter into their
feelings and know what their heart throbs about. So, I say, back of the
drama is this love of life, this love of nature. And whenever a country
becomes prosperous--and this has been pointed cut many times--when a
wave of wealth runs over a land,--behind it you will see all the sons
and daughters of genius. When a man becomes of some account he is worth
painting. When by success and prosperity he gets the pose of a victor,
the sculptor is inspired; and when love is really in his heart, words
burst into blossom and the poet is born. When great virtues appear, when
magnificent things are done by heroines and heroes, then the stage is
built, and the life of a nation is compressed into a few hours, or--to
use the language of the greatest--"turning the accomplishment of many
years into an hour-glass"; the stage is born, and we love it because we
love life--and he who loves the stage has a kind of double life.
The drama is a crystallization of history, an epitome of the human
heart. The past is lived again and again, and we see upon the stage,
love, sacrifice, fidelity, courage--all the virtues mingled with all the
follies.
Public-domain text, read in full here on John Shaqi.
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