The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
All the way up the long hill from Langogne it rained and hailed
alternately; the wind kept freshening steadily, although slowly;
plentiful hurrying clouds--some, dragging veils of straight rain-shower,
others massed and luminous as though promising snow--careered out of the
north and followed me along my way. I was soon out of the cultivated
basin of the Allier, and away from the ploughing oxen and such-like
sights of the country. Moor, heathery marsh, tracts of rock and pines,
woods of birch all jewelled with the autumn yellow, here and there a few
naked cottages and bleak fields,--these were the characters of the
country. Hill and valley followed valley and hill; the little green and
stony cattle-tracks wandered in and out of one another, split into three
or four, died away in marshy hollows, and began again sporadically on
hillsides or at the borders of a wood.
There was no direct road to Cheylard, and it was no easy affair to make
a passage in this uneven country and through this intermittent labyrinth
of tracks. It must have been about four when I struck Sagnerousse, and
went on my way rejoicing in a sure point of departure. Two hours
afterwards, the dusk rapidly falling, in a lull of the wind, I issued
from a fir-wood where I had long been wandering, and found, not the
looked-for village, but another marish bottom among rough-and-tumble
hills. For some time past I had heard the ringing of cattle-bells ahead;
and now, as I came out of the skirts of the wood, I saw near upon a
dozen cows, and perhaps as many more black figures, which I conjectured
to be children, although the mist had almost unrecognisably exaggerated
their forms. These were all silently following each other round and
round in a circle, now taking hands, now breaking up with chains and
reverences. A dance of children appeals to very innocent and lively
thoughts; but, at nightfall on the marshes, the thing was eerie and
fantastic to behold. Even I, who am well enough read in Herbert Spencer,
felt a sort of silence fall for an instant on my mind. The next, I was
pricking Modestine forward, and guiding her like an unruly ship through
the open. In a path, she went doggedly ahead of her own accord, as
before a fair wind; but once on the turf or among heather, and the brute
became demented. The tendency of lost travellers to go round in a circle
was developed in her to the degree of passion, and it took all the
steering I had in me to keep even a decently straight course through a
single field.
Public-domain text, read in full here on John Shaqi.
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