The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
But Edinburgh pays cruelly for her high seat in one of the vilest
climates under heaven. She is liable to be beaten upon by all the winds
that blow, to be drenched with rain, to be buried in cold sea fogs out
of the east, and powdered with the snow as it comes flying southward
from the Highland hills. The weather is raw and boisterous in winter,
shifty and ungenial in summer, and a downright meteorological purgatory
in the spring. The delicate die early, and I, as a survivor, among bleak
winds and plumping rain, have been sometimes tempted to envy them their
fate. For all who love shelter and the blessings of the sun, who hate
dark weather and perpetual tilting against squalls, there could scarcely
be found a more unhomely and harassing place of residence. Many such
aspire angrily after that Somewhere else of the imagination, where all
troubles are supposed to end. They lean over the great bridge which
joins the New Town with the Old--that windiest spot, or high altar, in
this northern temple of the winds--and watch the trains smoking out from
under them and vanishing into the tunnel on a voyage to brighter skies.
Happy the passengers who shake off the dust of Edinburgh, and have heard
for the last time the cry of the east wind among her chimney-tops! And
yet the place establishes an interest in people's hearts; go where they
will, they find no city of the same distinction; go where they will,
they take a pride in their old home.
Venice, it has been said, differs from all other cities in the sentiment
which she inspires. The rest may have admirers; she only, a famous fair
one, counts lovers in her train. And indeed, even by her kindest
friends, Edinburgh is not considered in a similar sense. These like her
for many reasons, not any one of which is satisfactory in itself. They
like her whimsically, if you will, and somewhat as a virtuoso dotes upon
his cabinet. Her attraction is romantic in the narrowest meaning of the
term. Beautiful as she is, she is not so much beautiful as interesting.
She is pre-eminently Gothic, and all the more so since she has set
herself off with some Greek airs, and erected classic temples on her
crags. In a word, and above all, she is a curiosity. The Palace of
Holyrood has been left aside in the growth of Edinburgh, and stands grey
and silent in a workman's quarter, and among breweries and gas works. It
is a house of many memories. Great people of yore, kings and queens,
buffoons, and grave ambassadors, played their stately farce for
centuries in Holyrood. Wars have been plotted, dancing has lasted deep
into the night, murder has been done in its chambers. There Prince
Charlie held his phantom levees, and in a very gallant manner
represented a fallen dynasty for some hours. Now, all these things of
clay are mingled with the dust, the king's crown itself is shown for
sixpence to the vulgar; but the stone palace has outlived these changes.
For fifty weeks together, it is no more than a show for tourists and a
Public-domain text, read in full here on John Shaqi.
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