The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
The river was swollen with the long rains. From Vadencourt all the way
to Origny, it ran with ever-quickening speed, taking fresh heart at each
mile, and racing as though it already smelt the sea. The water was
yellow and turbulent, swung with an angry eddy among half-submerged
willows, and made an angry clatter along stony shores. The course kept
turning and turning in a narrow and well-timbered valley. Now the river
would approach the side, and run griding along the chalky base of the
hill, and show us a few open colza-fields among the trees. Now it would
skirt the garden-walls of houses, where we might catch a glimpse through
a doorway, and see a priest pacing in the chequered sunlight. Again,
the foliage closed so thickly in front that there seemed to be no issue;
only a thicket of willows, overtopped by elms and poplars, under which
the river ran flush and fleet, and where a kingfisher flew past like a
piece of the blue sky. On these different manifestations the sun poured
its clear and catholic looks. The shadows lay as solid on the swift
surface of the stream as on the stable meadows. The light sparkled
golden in the dancing poplar leaves, and brought the hills in communion
with our eyes. And all the while the river never stopped running or took
breath; and the reeds along the whole valley stood shivering from top to
toe.
There should be some myth (but if there is, I know it not) founded on
the shivering of the reeds. There are not many things in nature more
striking to man's eye. It is such an eloquent pantomime of terror; and
to see such a number of terrified creatures taking sanctuary in every
nook along the shore is enough to infect a silly human with alarm.
Perhaps they are only a-cold, and no wonder, standing waist-deep in the
stream. Or perhaps they have never got accustomed to the speed and fury
of the river's flux, or the miracle of its continuous body. Pan once
played upon their forefathers; and so, by the hands of his river, he
still plays upon these later generations down all the valley of the
Oise; and plays the same air, both sweet and shrill, to tell us of the
beauty and the terror of the world.
Public-domain text, read in full here on John Shaqi.
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