The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
I find I never weary of great churches. It is my favourite kind of
mountain scenery. Mankind was never so happily inspired as when it made
a cathedral: a thing as single and specious as a statue to the first
glance, and yet, on examination, as lively and interesting as a forest
in detail. The height of spires cannot be taken by trigonometry; they
measure absurdly short, but how tall they are to the admiring eye! And
where we have so many elegant proportions, growing one out of the other,
and all together into one, it seems as if proportion transcended itself,
and became something different and more imposing. I could never fathom
how a man dares to lift up his voice to preach in a cathedral. What is
he to say that will not be an anti-climax? For though I have heard a
considerable variety of sermons, I never yet heard one that was so
expressive as a cathedral. 'Tis the best preacher itself, and preaches
day and night; not only telling you of man's art and aspirations in the
past, but convicting your own soul of ardent sympathies; or rather, like
all good preachers, it sets you preaching to yourself;--and every man is
his own doctor of divinity in the last resort.
As I sat outside of the hotel in the course of the afternoon, the sweet
groaning thunder of the organ floated out of the church like a summons.
I was not averse, liking the theatre so well, to sit out an act or two
of the play, but I could never rightly make out the nature of the
service I beheld. Four or five priests and as many choristers were
singing _Miserere_ before the high altar when I went in. There was no
congregation but a few old women on chairs and old men kneeling on the
pavement. After a while a long train of young girls, walking two and
two, each with a lighted taper in her hand, and all dressed in black
with a white veil, came from behind the altar, and began to descend the
nave; the four first carrying a Virgin and child upon a table. The
priests and choristers arose from their knees and followed after,
singing "Ave Mary" as they went. In this order they made the circuit of
the cathedral, passing twice before me where I leaned against a pillar.
The priest who seemed of most consequence was a strange, down-looking
old man. He kept mumbling prayers with his lips; but as he looked upon
me darkling, it did not seem as if prayer were uppermost in his heart.
Two others, who bore the burthen of the chant, were stout, brutal,
military-looking men of forty, with bold, over-fed eyes; they sang with
some lustiness, and trolled forth "Ave Mary" like a garrison catch. The
little girls were timid and grave. As they footed slowly up the aisle,
each one took a moment's glance at the Englishman; and the big nun who
played marshal fairly stared him out of countenance. As for the
choristers, from first to last they misbehaved as only boys can
misbehave; and cruelly marred the performance with their antics.
Public-domain text, read in full here on John Shaqi.
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