The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 01
Stevenson, Robert Louis
English literature -- 19th century
But though French soldiers show to ill advantage on parade, on the march
they are gay, alert, and willing like a troop of fox-hunters. I remember
once seeing a company pass through the forest of Fontainebleau, on the
Chailly road, between the Bas Breau and the Reine Blanche. One fellow
walked a little before the rest, and sang a loud, audacious marching
song. The rest bestirred their feet, and even swung their muskets in
time. A young officer on horseback had hard ado to keep his countenance
at the words. You never saw anything so cheerful and spontaneous as
their gait; schoolboys do not look more eagerly at hare and hounds; and
you would have thought it impossible to tire such willing marchers.
My great delight in Compiegne was the town-hall. I doted upon the
town-hall. It is a monument of Gothic insecurity, all turreted, and
gargoyled, and slashed, and bedizened with half a score of architectural
fancies. Some of the niches are gilt and painted; and in a great square
panel in the centre, in black relief on a gilt ground, Louis XII. rides
upon a pacing horse, with hand on hip and head thrown back. There is
royal arrogance in every line of him; the stirruped foot projects
insolently from the frame; the eye is hard and proud; the very horse
seems to be treading with gratification over prostrate serfs, and to
have the breath of the trumpet in his nostrils. So rides for ever, on
the front of the town-hall, the good king Louis XII., the father of his
people.
Over the king's head, in the tall centre turret, appears the dial of a
clock; and high above that, three little mechanical figures, each one
with a hammer in his hand, whose business it is to chime out the hours
and halves and quarters for the burgesses of Compiegne. The centre
figure has a gilt breast-plate; the two others wear gilt trunk-hose;
and they all three have elegant, flapping hats like cavaliers. As the
quarter approaches, they turn their heads and look knowingly one to the
other; and then, _kling_ go the three hammers on three little bells
below. The hour follows, deep and sonorous, from the interior of the
tower; and the gilded gentlemen rest from their labours with
contentment.
Public-domain text, read in full here on John Shaqi.
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