The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02
Stevenson, Robert Louis
English literature -- 19th century
There was no trace in Irvine of this woodland poetry. He did not care
for hunting, nor yet for buckskin suits. He had never observed scenery.
The world, as it appeared to him, was almost obliterated by his own
great grinning figure in the foreground: Caliban-Malvolio. And it seems
to me as if, in the persons of these brothers-in-law, we had the two
sides of rusticity fairly well represented: the hunter living really in
nature; the clodhopper living merely out of society; the one bent up in
every corporal agent to capacity in one pursuit, doing at least one
thing keenly and thoughtfully, and thoroughly alive to all that touches
it; the other in the inert and bestial state, walking in a faint dream,
and taking so dim an impression of the myriad sides of life that he is
truly conscious of nothing but himself. It is only in the fastnesses of
nature, forests, mountains, and the back of man's beyond, that a
creature endowed with five senses can grow up into the perfection of
this crass and earthly vanity. In towns or the busier country sides, he
is roughly reminded of other men's existence; and if he learns no more,
he learns at least to fear contempt. But Irvine had come scathless
through life, conscious only of himself, of his great strength and
intelligence; and in the silence of the universe, to which he did not
listen, dwelling with delight on the sound of his own thoughts.
THE SEA-FOGS
A change in the colour of the light usually called me in the morning. By
a certain hour, the long, vertical chinks in our western gable, where
the boards had shrunk and separated, flashed suddenly into my eyes as
stripes of dazzling blue, at once so dark and splendid that I used to
marvel how the qualities could be combined. At an earlier hour, the
heavens in that quarter were still quietly coloured, but the shoulder of
the mountain which shuts in the canyon already glowed with sunlight in a
wonderful compound of gold and rose and green; and this too would
kindle, although more mildly and with rainbow tints, the fissures of our
crazy gable. If I were sleeping heavily, it was the bold blue that
struck me awake; if more lightly, then I would come to myself in that
earlier and fairer light.
One Sunday morning, about five, the first brightness called me. I rose
and turned to the east, not for my devotions, but for air. The night had
been very still. The little private gale that blew every evening in our
canyon, for ten minutes or perhaps a quarter of an hour, had swiftly
blown itself out; in the hours that followed not a sigh of wind had
shaken the treetops; and our barracks, for all its breaches, was less
fresh that morning than of wont. But I had no sooner reached the window
than I forgot all else in the sight that met my eyes, and I made but two
bounds into my clothes, and down the crazy plank to the platform.
Public-domain text, read in full here on John Shaqi.
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