The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02
Stevenson, Robert Louis
English literature -- 19th century
My work, it is true, was over early in the morning. I rose before any
one else, lit the stove, put on the water to boil, and strolled forth
upon the platform to wait till it was ready. Silverado would then be
still in shadow, the sun shining on the mountain higher up. A clean
smell of trees, a smell of the earth at morning, hung in the air.
Regularly, every day, there was a single bird, not singing, but
awkwardly chirruping among the green madronas, and the sound was
cheerful, natural, and stirring. It did not hold the attention, nor
interrupt the thread of meditation, like a blackbird or a nightingale;
it was mere woodland prattle, of which the mind was conscious like a
perfume. The freshness of these morning seasons remained with me far on
into the day.
As soon as the kettle boiled, I made porridge and coffee; and that,
beyond the literal drawing of water, and the preparation of kindling,
which it would be hyperbolical to call the hewing of wood, ended my
domestic duties for the day. Thenceforth my wife laboured single-handed
in the palace, and I lay or wandered on the platform at my own sweet
will. The little corner near the forge, where we found a refuge under
the madronas from the unsparing early sun, is indeed connected in my
mind with some nightmare encounters over Euclid, and the Latin Grammar.
These were known as Crown Prince's lessons. He was supposed to be the
victim and the sufferer; but here there must have been some
misconception, for whereas I generally retired to bed after one of these
engagements, he was no sooner set free than he dashed up to the
Chinaman's house, where he had installed a printing-press, that great
element of civilisation, and the sound of his labours would be faintly
audible about the canyon half the day.
To walk at all was a laborious business; the foot sank and slid, the
boots were cut to pieces, among sharp, uneven, rolling stones. When we
crossed the platform in any direction, it was usual to lay a course,
following as much as possible the line of waggon rails. Thus, if water
were to be drawn, the water-carrier left the house along some tilting
planks that we had laid down, and not laid down very well. These carried
him to that great highroad, the railway; and the railway served him as
far as to the head of the shaft. But from thence to the spring and back
again he made the best of his unaided way, staggering among the stones,
and wading in low growth of the calcanthus, where the rattlesnakes lay
hissing at his passage. Yet I liked to draw water. It was pleasant to
dip the grey metal pail into the clean, colourless, cool water; pleasant
to carry it back, with the water lipping at the edge, and a broken
sunbeam quivering in the midst.
Public-domain text, read in full here on John Shaqi.
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