The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02
Stevenson, Robert Louis
English literature -- 19th century
In all that concerns eating and drinking, company, climate, and ways of
life, community of taste is to be sought for. It would be trying, for
instance, to keep bed and board with an early riser or a vegetarian. In
matters of art and intellect, I believe it is of no consequence.
Certainly it is of none in the companionships of men, who will dine more
readily with one who has a good heart, a good cellar, and a humorous
tongue, than with another who shares all their favourite hobbies and is
melancholy withal. If your wife likes Tupper, that is no reason why you
should hang your head. She thinks with the majority, and has the courage
of her opinions. I have always suspected public taste to be a mongrel
product, out of affectation by dogmatism; and felt sure, if you could
only find an honest man of no special literary bent, he would tell you
he thought much of Shakespeare bombastic and most absurd, and all of him
written in very obscure English and wearisome to read. And not long ago
I was able to lay by my lantern in content, for I found the honest man.
He was a fellow of parts, quick, humorous, a clever painter, and with an
eye for certain poetical effects of sea and ships. I am not much of a
judge of that kind of thing, but a sketch of his comes before me
sometimes at night. How strong, supple, and living the ship seems upon
the billows! With what a dip and rake she shears the flying sea! I
cannot fancy the man who saw this effect, and took it on the wing with
so much force and spirit, was what you call commonplace in the last
recesses of the heart. And yet he thought, and was not ashamed to have
it known of him, that Ouida was better in every way than William
Shakespeare. If there were more people of his honesty, this would be
about the staple of lay criticism. It is not taste that is plentiful,
but courage that is rare. And what have we in place? How many, who think
no otherwise than the young painter, have we not heard disbursing
second-hand hyperboles? Have you never turned sick at heart, O best of
critics! when some of your own sweet adjectives were returned on you
before a gaping audience? Enthusiasm about art is become a function of
the average female being, which she performs with precision and a sort
of haunting sprightliness, like an ingenious and well-regulated machine.
Sometimes, alas! the calmest man is carried away in the torrent, bandies
adjectives with the best, and out-Herods Herod for some shameful
moments. When you remember that, you will be tempted to put things
strongly, and say you will marry no one who is not like George the
Second, and cannot state openly a distaste for poetry and painting.
Public-domain text, read in full here on John Shaqi.
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