The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02
Stevenson, Robert Louis
English literature -- 19th century
In this falling aside, in this quietude and desertion of other men,
there is no inharmonious prelude to the last quietude and desertion of
the grave; in this dulness of the senses there is a gentle preparation
for the final insensibility of death. And to him the idea of mortality
comes in a shape less violent and harsh than is its wont, less as an
abrupt catastrophe than as a thing of infinitesimal gradation, and the
last step on a long decline of way. As we turn to and fro in bed, and
every moment the movements grow feebler and smaller and the attitude
more restful and easy, until sleep overtakes us at a stride and we move
no more, so desire after desire leaves him; day by day his strength
decreases, and the circle of his activity grows ever narrower; and he
feels, if he is to be thus tenderly weaned from the passion of life,
thus gradually inducted into the slumber of death, that when at last the
end comes, it will come quietly and fitly. If anything is to reconcile
poor spirits to the coming of the last enemy, surely it should be such a
mild approach as this; not to hale us forth with violence, but to
persuade us from a place we have no further pleasure in. It is not so
much, indeed, death that approaches as life that withdraws and withers
up from round about him. He has outlived his own usefulness, and almost
his own enjoyment; and if there is to be no recovery; if never again
will he be young and strong and passionate, if the actual present shall
be to him always like a thing read in a book or remembered out of the
far-away past; if, in fact, this be veritably nightfall, he will not
wish greatly for the continuance of a twilight that only strains and
disappoints the eyes, but steadfastly await the perfect darkness. He
will pray for Medea: when she comes, let her either rejuvenate or slay.
Public-domain text, read in full here on John Shaqi.
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