The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 02
Stevenson, Robert Louis
English literature -- 19th century
Another portrait which irresistibly attracted the eye was the
half-length of Robert M'Queen, of Braxfield, Lord Justice-Clerk. If I
know gusto in painting when I see it, this canvas was painted with rare
enjoyment. The tart, rosy, humorous look of the man, his nose like a
cudgel, his face resting squarely on the jowl, has been caught and
perpetuated with something that looks like brotherly love. A peculiarly
subtle expression haunts the lower part, sensual and incredulous, like
that of a man tasting good Bordeaux with half a fancy it has been
somewhat too long uncorked. From under the pendulous eye-lids of old age
the eyes look out with a half-youthful half-frosty twinkle. Hands, with
no pretence to distinction, are folded on the judge's stomach. So
sympathetically is the character conceived by the portrait-painter, that
it is hardly possible to avoid some movement of sympathy on the part of
the spectator. And sympathy is a thing to be encouraged, apart from
humane considerations, because it supplies us with the materials for
wisdom. It is probably more instructive to entertain a sneaking kindness
for any unpopular person, and among the rest, for Lord Braxfield, than
to give way to perfect raptures of moral indignation against his
abstract vices. He was the last judge on the Scots bench to employ the
pure Scots idiom. His opinions, thus given in Doric, and conceived in a
lively, rugged, conversational style, were full of point and authority.
Out of the bar, or off the bench, he was a convivial man, a lover of
wine, and one who "shone perculiarly" at tavern meetings. He has left
behind him an unrivalled reputation for rough and cruel speech; and to
this day his name smacks of the gallows. It was he who presided at the
trials of Muir and Skirving in 1793 and 1794; and his appearance on
these occasions was scarcely cut to the pattern of to-day. His summing
up on Muir began thus--the reader must supply for himself "the growling
blacksmith's voice" and the broad Scots accent: "Now this is the
question for consideration--Is the panel guilty of sedition, or is he
not? Now, before this can be answered, two things must be attended to
that require no proof: _First_, that the British constitution is the
best that ever was since the creation of the world, and it is not
possible to make it better." It's a pretty fair start, is it not, for a
political trial? A little later, he has occasion to refer to the
relations of Muir with "those wretches," the French. "I never liked the
French all my days," said his Lordship, "but now I hate them." And yet a
little further on: "A government in any country should be like a
corporation; and in this country it is made up of the landed interest,
which alone has a right to be represented. As for the rabble who have
nothing but personal property, what hold has the nation of them? They
may pack up their property on their backs, and leave the country in the
twinkling of an eye." After having made profession of sentiments so
Public-domain text, read in full here on John Shaqi.
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