The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
History
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
John the Fearless had been murdered in his turn on the bridge of
Montereau so far back as 1419. His son, Philip the Good--partly to
extinguish the feud, partly that he might do a popular action, and
partly, in view of his ambitious schemes, to detach another great vassal
from the throne of France--had taken up the cause of Charles of Orleans,
and negotiated diligently for his release. In 1433 a Burgundian embassy
was admitted to an interview with the captive duke, in the presence of
Suffolk. Charles shook hands most affectionately with the ambassadors.
They asked after his health. "I am well enough in body," he replied,
"but far from well in mind. I am dying of grief at having to pass the
best days of my life in prison, with none to sympathise." The talk
falling on the chances of peace, Charles referred to Suffolk if he were
not sincere and constant in his endeavours to bring it about. "If peace
depended on me," he said, "I should procure it gladly, were it to cost
me my life seven days after." We may take this as showing what a large
price he set, not so much on peace, as on seven days of freedom. Seven
days!--he would make them seven years in the employment. Finally, he
assured the ambassadors of his good-will to Philip of Burgundy;
squeezed one of them by the hand and nipped him twice in the arm to
signify things unspeakable before Suffolk; and two days after sent them
Suffolk's barber, one Jean Carnet, a native of Lille, to testify more
freely of his sentiments. "As I speak French," said this emissary, "the
Duke of Orleans is more familiar with me than any other of the
household; and I can bear witness he never said anything against Duke
Philip."[38] It will be remembered that this person, with whom he was so
anxious to stand well, was no other than his hereditary enemy, the son
of his father's murderer. But the honest fellow bore no malice,
indeed--not he. He began exchanging ballades with Philip, whom he
apostrophises as his companion, his cousin, and his brother. He assures
him that, soul and body, he is altogether Burgundian; and protests that
he has given his heart in pledge to him. Regarded as the history of a
vendetta, it must be owned that Charles's life has points of some
originality. And yet there is an engaging frankness about these ballades
which disarms criticism.[39] You see Charles throwing himself
head-foremost into the trap; you hear Burgundy, in his answers, begin to
inspire him with his own prejudices, and draw melancholy pictures of the
misgovernment of France. But Charles's own spirits are so high and so
amiable, and he is so thoroughly convinced his cousin is a fine fellow,
that one's scruples are carried away in the torrent of his happiness and
gratitude. And his would be a sordid spirit who would not clap hands at
the consummation (Nov. 1440); when Charles, after having sworn on the
Sacrament that he would never again bear arms against England, and
pledged himself body and soul to the unpatriotic faction in his own
Public-domain text, read in full here on John Shaqi.
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