The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
Mrs. Pepys had written a paper of her too just complaints against her
husband, and written it in plain and very pungent English. Pepys, in an
agony lest the world should come to see it, brutally seizes and destroys
the tell-tale document; and then--you disbelieve your eyes--down goes
the whole story with unsparing truth and in the cruellest detail. It
seems he has no design but to appear respectable, and here he keeps a
private book to prove he was not. You are at first faintly reminded of
some of the vagaries of the morbid religious diarist; but at a moment's
thought the resemblance disappears. The design of Pepys is not at all to
edify; it is not from repentance that he chronicles his peccadilloes,
for he tells us when he does repent, and, to be just to him, there often
follows some improvement. Again, the sins of the religious diarist are
of a very formal pattern, and are told with an elaborate whine. But in
Pepys you come upon good, substantive misdemeanours; beams in his eye of
which he alone remains unconscious; healthy outbreaks of the animal
nature, and laughable subterfuges to himself that always command belief
and often engage the sympathies.
Pepys was a young man for his age, came slowly to himself in the world,
sowed his wild oats late, took late to industry, and preserved till
nearly forty the headlong gusto of a boy. So, to come rightly at the
spirit in which the Diary was written, we must recall a class of
sentiments which with most of us are over and done before the age of
twelve. In our tender years we still preserve a freshness of surprise at
our prolonged existence; events make an impression out of all proportion
to their consequence; we are unspeakably touched by our own past
adventures, and look forward to our future personality with sentimental
interest. It was something of this, I think, that clung to Pepys.
Although not sentimental in the abstract, he was sweetly sentimental
about himself. His own past clung about his heart, an evergreen. He was
the slave of an association. He could not pass by Islington, where his
father used to carry him to cakes and ale, but he must light at the
"King's Head" and eat and drink "for remembrance of the old house
sake." He counted it good fortune to lie a night at Epsom to renew his
old walks, "where Mrs. Hely and I did use to walk and talk, with whom I
had the first sentiments of love and pleasure in a woman's company,
discourse and taking her by the hand, she being a pretty woman." He goes
about weighing up the _Assurance_, which lay near Woolwich under water,
and cries in a parenthesis, "Poor ship, that I have been twice merry in,
in Captain Holland's time"; and after revisiting the _Naseby_, now
changed into the _Charles_, he confesses "it was a great pleasure to
myself to see the ship that I began my good fortune in." The stone that
he was cut for he preserved in a case; and to the Turners he kept alive
such gratitude for their assistance, that for years, and after he had
Public-domain text, read in full here on John Shaqi.
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