The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
Here, then, we have the key to that remarkable attitude preserved by him
throughout his Diary, to that unflinching--I had almost said, that
unintelligent--sincerity which makes it a miracle among human books. He
was not unconscious of his errors--far from it; he was often startled
into shame, often reformed, often made and broke his vows of change. But
whether he did ill or well, he was still his own unequalled self; still
that entrancing _ego_ of whom alone he cared to write; and still sure of
his own affectionate indulgence, when the parts should be changed, and
the writer come to read what he had written. Whatever he did, or said,
or thought, or suffered, it was still a trait of Pepys, a character of
his career; and as, to himself, he was more interesting than Moses or
than Alexander, so all should be faithfully set down. I have called his
Diary a work of art. Now when the artist has found something, word or
deed, exactly proper to a favourite character in play or novel, he will
neither suppress nor diminish it, though the remark be silly or the act
mean. The hesitation of Hamlet, the credulity of Othello, the baseness
of Emma Bovary, or the irregularities of Mr. Swiveller, caused neither
disappointment nor disgust to their creators. And so with Pepys and his
adored protagonist: adored not blindly, but with trenchant insight and
enduring, human toleration. I have gone over and over the greater part
of the Diary; and the points where, to the most suspicious scrutiny, he
has seemed not perfectly sincere, are so few, so doubtful, and so petty,
that I am ashamed to name them. It may be said that we all of us write
such a diary in airy characters upon our brain; but I fear there is a
distinction to be made; I fear that as we render to our consciousness an
account of our daily fortunes and behaviour, we too often weave a tissue
of romantic compliments and dull excuses; and even if Pepys were the ass
and coward that men call him, we must take rank as sillier and more
cowardly than he. The bald truth about oneself, what we are all too
timid to admit when we are not too dull to see it, that was what he saw
clearly and set down unsparingly.
Public-domain text, read in full here on John Shaqi.
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