The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
There seems to me something truly original in this choice of trite
examples. You will remark how adroitly Whitman begins, hunters and
woodmen being confessedly romantic. And one thing more. If he had said
"the love of healthy men for the female form," he would have said almost
a silliness; for the thing has never been dissembled out of delicacy,
and is so obvious as to be a public nuisance. But by reversing it, he
tells us something not unlike news; something that sounds quite freshly
in words; and, if the reader be a man, gives him a moment of great
self-satisfaction and spiritual aggrandisement. In many different
authors you may find passages more remarkable for grammar, but few of a
more ingenious turn, and none that could be more to the point in our
connection. The tenacity of many ordinary people in ordinary pursuits is
a sort of standing challenge to everybody else. If one man can grow
absorbed in delving his garden, others may grow absorbed and happy over
something else. Not to be upsides in this with any groom or gardener is
to be very meanly organised. A man should be ashamed to take his food if
he has not alchemy enough in his stomach to turn some of it into intense
and enjoyable occupation.
Whitman tries to reinforce this cheerfulness by keeping up a sort of
outdoor atmosphere of sentiment. His book, he tells us, should be read;
"among the cooling influences of external nature"; and this
recommendation, like that other famous one which Hawthorne prefixed to
his collected tales, is in itself a character of the work. Every one who
has been upon a walking or a boating tour, living in the open air, with
the body in constant exercise and the mind in fallow, knows true ease
and quiet. The irritating action of the brain is set at rest; we think
in a plain, unfeverish temper; little things seem big enough, and great
things no longer portentous; and the world is smilingly accepted as it
is. This is the spirit that Whitman inculcates and parades. He thinks
very ill of the atmosphere of parlours or libraries. Wisdom keeps school
outdoors. And he has the art to recommend this attitude of mind by
simply pluming himself upon it as a virtue; so that the reader, to keep
the advantage over his author which most readers enjoy, is tricked into
professing the same view. And this spirit, as it is his chief lesson, is
the greatest charm of his work. Thence, in spite of an uneven and
emphatic key of expression, something trenchant and straightforward,
something simple and surprising, distinguishes his poems. He has sayings
that come home to one like the Bible. We fall upon Whitman, after the
works of so many men who write better, with a sense of relief from
strain, with a sense of touching nature, as when one passes out of the
flaring, noisy thoroughfares of a great city, into what he himself has
called, with unexcelled imaginative justice of language, "the huge and
thoughtful night." And his book in consequence, whatever may be the
Public-domain text, read in full here on John Shaqi.
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