The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
When he had enough of that kind of life, he showed the same simplicity
in giving it up as in beginning it. There are some who could have done
the one, but, vanity forbidding, not the other; and that is perhaps the
story of the hermits; but Thoreau made no fetich of his own example, and
did what he wanted squarely. And five years is long enough for an
experiment, and to prove the success of transcendental Yankeeism. It is
not his frugality which is worthy of note; for, to begin with, that was
inborn, and therefore inimitable by others who are differently
constituted; and again, it was no new thing, but has often been equalled
by poor Scotch students at the universities. The point is the sanity of
his view of life, and the insight with which he recognised the position
of money, and thought out for himself the problem of riches and a
livelihood. Apart from his eccentricities, he had perceived, and was
acting on, a truth of universal application. For money enters in two
different characters into the scheme of life. A certain amount, varying
with the number and empire of our desires, is a true necessary to each
one of us in the present order of society; but beyond that amount, money
is a commodity to be bought or not to be bought, a luxury in which we
may either indulge or stint ourselves, like any other. And there are
many luxuries that we may legitimately prefer to it, such as a grateful
conscience, a country life, or the woman of our inclination. Trite,
flat, and obvious as this conclusion may appear, we have only to look
round us in society to see how scantily it has been recognised; and
perhaps even ourselves, after a little reflection, may decide to spend a
trifle less for money, and indulge ourselves a trifle more in the
article of freedom.
III
Public-domain text, read in full here on John Shaqi.
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