The Works of Robert Louis Stevenson - Swanston Edition, Vol. 04Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 04
Stevenson, Robert Louis
English literature -- 19th century; Short stories
"I am," continued the strolling player, "I am, sir, an artist, and I
have permitted myself to interrupt you on an affair of business.
To-night I give a trifling musical entertainment at the Cafe of the
Triumphs of the Plough--permit me to offer you this little
programme--and I have come to ask you for the necessary authorisation."
At the word "artist" the Commissary had replaced his hat with the air of
a person who, having condescended too far, should suddenly remember the
duties of his rank.
"Go, go," said he, "I am busy; I am measuring butter."
"Heathen Jew!" thought Leon. "Permit me, sir," he resumed, aloud. "I
have gone six times already--"
"Put up your bills if you choose," interrupted the Commissary. "In an
hour or so I will examine your papers at the office. But now go; I am
busy."
"Measuring butter!" thought Berthelini. "O France, and it is for this
that we made '93!"
The preparations were soon made; the bills posted, programmes laid on
the dinner-table of every hotel in the town, and a stage erected at one
end of the Cafe of the Triumphs of the Plough; but when Leon returned to
the office, the Commissary was once more abroad.
"He is like Madame Benoiton," thought Leon: "Fichu Commissaire!"
And just then he met the man face to face.
"Here, sir," said he, "are my papers. Will you be pleased to verify?"
But the Commissary was now intent upon dinner.
"No use," he replied, "no use; I am busy; I am quite satisfied. Give
your entertainment."
And he hurried on.
"Fichu Commissaire!" thought Leon.
CHAPTER II
The audience was pretty large; and the proprietor of the cafe made a
good thing of it in beer. But the Berthelinis exerted themselves in
vain.
Leon was radiant in velveteen; he had a rakish way of smoking a
cigarette between his songs that was worth money in itself; he
underlined his comic points so that the dullest numskull in
Castel-le-Gachis had a notion when to laugh; and he handled his guitar
in a manner worthy of himself. Indeed, his play with that instrument was
as good as a whole romantic drama; it was so dashing, so florid, and so
cavalier.
Elvira, on the other hand, sang her patriotic and romantic songs with
more than usual expression; her voice had charm and plangency; and as
Leon looked at her, in her low-bodied maroon dress, with her arms bare
to the shoulder, and a red flower set provocatively in her corset, he
repeated to himself for the many hundredth time that she was one of the
loveliest creatures in the world of women.
Public-domain text, read in full here on John Shaqi.
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