The Works of Robert Louis Stevenson - Swanston Edition, Vol. 04Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 04
Stevenson, Robert Louis
English literature -- 19th century; Short stories
"I don't quite see my way out of it," thought the undergraduate; and
then, after a pause, he said, aloud and ungraciously enough, "All right.
I--I'm very much obliged, of course." And he proceeded to follow them,
thinking in his heart, "But it's bad form, all the same, to force an
obligation on a fellow."
CHAPTER V
Leon strode ahead as if he knew exactly where he was going; the sobs of
Madame were still faintly audible, and no one uttered a word. A dog
barked furiously in a courtyard as they went by; then the church clock
struck two, and many domestic clocks followed or preceded it in piping
tones. And just then Berthelini spied a light. It burned in a small
house on the outskirts of the town, and thither the party now directed
their steps.
"It is always a chance," said Leon.
The house in question stood back from the street behind an open space,
part garden, part turnip-field; and several outhouses stood forward from
either wing at right angles to the front. One of these had recently
undergone some change. An enormous window, looking towards the north,
had been effected in the wall and roof, and Leon began to hope it was a
studio.
"If it's only a painter," he said, with a chuckle, "ten to one we get as
good a welcome as we want."
"I thought painters were principally poor," said Stubbs.
"Ah!" cried Leon, "you do not know the world as I do. The poorer the
better for us!"
And the trio advanced into the turnip-field.
The light was in the ground floor; as one window was brightly
illuminated and two others more faintly, it might be supposed that there
was a single lamp in one corner of a large apartment; and a certain
tremulousness and temporary dwindling showed that a live fire
contributed to the effect. The sound of a voice now became audible; and
the trespassers paused to listen. It was pitched in a high, angry key,
but had still a good, full, and masculine note in it. The utterance was
voluble, too voluble even to be quite distinct; a stream of words,
rising and falling, with ever and again a phrase thrown out by itself,
as if the speaker reckoned on its virtue.
Suddenly another voice joined in. This time it was a woman's; and if the
man were angry, the woman was incensed to the degree of fury. There was
that absolutely blank composure known to suffering males; that
colourless unnatural speech which shows a spirit accurately balanced
between homicide and hysterics; the tone in which the best of women
sometimes utter words worse than death to those most dear to them. If
Abstract Bones-and-Sepulchre were to be endowed with the gift of speech,
thus, and not otherwise, would it discourse. Leon was a brave man, and I
fear he was somewhat sceptically given (he had been educated in a
Papistical country), but the habit of childhood prevailed, and he
crossed himself devoutly. He had met several women in his career. It was
obvious that his instinct had not deceived him, for the male voice broke
forth instantly in a towering passion.
Public-domain text, read in full here on John Shaqi.
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