The Works of Robert Louis Stevenson - Swanston Edition, Vol. 04Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 04
Stevenson, Robert Louis
English literature -- 19th century; Short stories
The how was plain enough. Leon had asked the painter if there were no
air connected with courtship and pleasant times; and having learned what
he wished, and allowed an interval to pass, he had soared forth into
"O mon amante,
O mon desir,
Sachons cueillir
L'heure charmante!"
"Pardon me, Madame," said the painter's wife, "your husband sings
admirably well."
"He sings that with some feeling," replied Elvira critically, although
she was a little moved herself, for the song cut both ways in the upper
chamber; "but it is as an actor and not as a musician."
"Life is very sad," said the other; "it so wastes away under one's
fingers."
"I have not found it so," replied Elvira. "I think the good parts of it
last and grow greater every day."
"Frankly, how would you advise me?"
"Frankly, I would let my husband do what he wished. He is obviously a
very loving painter; you have not yet tried him as a clerk. And you
know--if it were only as the possible father of your children--it is as
well to keep him at his best."
"He is an excellent fellow," said the wife.
They kept it up till sunrise with music and all manner of
good-fellowship; and at sunrise, while the sky was still temperate and
clear, they separated on the threshold with a thousand excellent wishes
for each other's welfare. Castel-le-Gachis was beginning to send up its
smoke against the golden east; and the church bell was ringing six.
"My guitar is a familiar spirit," said Leon, as he and Elvira took the
nearest way towards the inn; "it resuscitated a Commissary, created an
English tourist, and reconciled a man and wife."
Stubbs, on his part, went off into the morning with reflections of his
own.
"They are all mad," thought he, "all mad--but wonderfully decent."
END OF VOL. IV
PRINTED BY CASSELL AND COMPANY, LIMITED, LA BELLE SAUVAGE, LONDON, E.C.
Public-domain text, read in full here on John Shaqi.
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