The Works of Robert Louis Stevenson - Swanston Edition, Vol. 05Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 05
Stevenson, Robert Louis
English literature -- 19th century; Fiction
Presently after, he sat on one side of his own hearth, with Mr. Guest,
his head clerk, upon the other, and midway between, at a nicely
calculated distance from the fire, a bottle of a particular old wine
that had long dwelt unsunned in the foundations of his house. The fog
still slept on the wing above the drowned city, where the lamps
glimmered like carbuncles; and through the muffle and smother of these
fallen clouds, the procession of the town's life was still rolling on
through the great arteries with a sound as of a mighty wind. But the
room was gay with firelight. In the bottle the acids were long ago
resolved; the imperial dye had softened with time, as the colour grows
richer in stained windows; and the glow of hot autumn afternoons on
hillside vineyards was ready to be set free and to disperse the fogs of
London. Insensibly the lawyer melted. There was no man from whom he kept
fewer secrets than Mr. Guest; and he was not always sure that he kept as
many as he meant. Guest had often been on business to the doctor's; he
knew Poole; he could scarce have failed to hear of Mr. Hyde's
familiarity about the house; he might draw conclusions: was it not as
well, then, that he should see a letter which put that mystery to
rights? and above all since Guest, being a great student and critic of
handwriting, would consider the step natural and obliging? The clerk,
besides, was a man of counsel; he would scarce read so strange a
document without dropping a remark; and by that remark Mr. Utterson
might shape his future course.
"This is a sad business about Sir Danvers," he said.
"Yes, sir, indeed. It has elicited a great deal of public feeling,"
returned Guest. "The man, of course, was mad."
"I should like to hear your views on that," replied Utterson. "I have a
document here in his handwriting; it is between ourselves, for I scarce
know what to do about it; it is an ugly business at the best. But there
it is; quite in your way: a murderer's autograph."
Guest's eyes brightened, and he sat down at once and studied it with
passion. "No, sir," he said; "not mad; but it is an odd hand."
"And by all accounts a very odd writer," added the lawyer.
Just then the servant entered with a note.
"Is that from Dr. Jekyll, sir?" inquired the clerk. "I thought I knew
the writing. Anything private, Mr. Utterson?"
"Only an invitation to dinner. Why? do you want to see it?"
"One moment. I thank you, sir"; and the clerk laid the two sheets of
paper alongside and sedulously compared their contents. "Thank you,
sir," he said at last, returning both; "it's a very interesting
autograph."
There was a pause, during which Mr. Utterson struggled with himself.
"Why did you compare them, Guest?" he inquired suddenly.
"Well, sir," returned the clerk, "there's a rather singular resemblance;
the two hands are in many points identical: only differently sloped."
"Rather quaint," said Utterson.
"It is, as you say, rather quaint," returned Guest.
Public-domain text, read in full here on John Shaqi.
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