The Works of Robert Louis Stevenson - Swanston Edition, Vol. 05Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 05
Stevenson, Robert Louis
English literature -- 19th century; Fiction
The young man had embraced the art of Raphael, partly from a notion of
its ease, partly from an inborn distrust of offices. He scorned to bear
the yoke of any regular schooling; and proceeded to turn one half of the
dining-room into a studio for the reproduction of still life. There he
amassed a variety of objects, indiscriminately chosen from the kitchen,
the drawing-room, and the back garden; and there spent his days in
smiling assiduity. Meantime, the great bulk of empty building overhead
lay, like a load, upon his imagination. To hold so great a stake and to
do nothing, argued some defect of energy; and he at length determined to
act upon the hint given by Mrs. Luxmore herself, and to stick, with
wafers, in the window of the dining-room, a small hand-bill announcing
furnished lodgings. At half-past six of a fine July morning, he affixed
the bill, and went forth into the square to study the result. It seemed,
to his eye, promising and unpretentious; and he returned to the
drawing-room balcony to consider, over a studious pipe, the knotty
problem of how much he was to charge.
Thereupon he somewhat relaxed in his devotion to the art of painting.
Indeed, from that time forth, he would spend the best part of the day in
the front balcony, like the attentive angler poring on his float; and
the better to support the tedium, he would frequently console himself
with his clay pipe. On several occasions passers-by appeared to be
arrested by the ticket, and on several others ladies and gentlemen drove
to the very doorstep by the carriageful; but it appeared there was
something repulsive in the appearance of the house; for, with one
accord, they would cast but one look upward, and hastily resume their
onward progress, or direct the driver to proceed. Somerset had thus the
mortification of actually meeting the eye of a large number of
lodging-seekers; and though he hastened to withdraw his pipe, and to
compose his features to an air of invitation, he was never rewarded by
so much as an inquiry. "Can there," he thought, "be anything repellent
in myself?" But a candid examination in one of the pier-glasses of the
drawing-room led him to dismiss the fear.
Something, however, was amiss. His vast and accurate calculations on the
fly-leaves of books, or on the backs of playbills, appeared to have been
an idle sacrifice of time. By these, he had variously computed the weekly
takings of the house, from sums as modest as five-and-twenty-shillings, up
to the more majestic figure of a hundred pounds; and yet, in despite of
the very elements of arithmetic, here he was making literally nothing.
Public-domain text, read in full here on John Shaqi.
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