The Works of Robert Louis Stevenson - Swanston Edition, Vol. 06Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 06
Stevenson, Robert Louis
English literature -- 19th century
The Doctor's house has not yet received the compliment of a description,
and it is now high time that the omission were supplied, for the house is
itself an actor in the story, and one whose part is nearly at an end. Two
stories in height, walls of a warm yellow, tiles of an ancient ruddy
brown diversified with moss and lichen, it stood with one wall to the
street in the angle of the Doctor's property. It was roomy, draughty, and
inconvenient. The large rafters were here and there engraven with rude
marks and patterns; the hand-rail of the stair was carved in countrified
arabesque; a stout timber pillar, which did duty to support the
dining-room roof, bore mysterious characters on its darker side, runes,
according to the Doctor; nor did he fail, when he ran over the legendary
history of the house and its possessors, to dwell upon the Scandinavian
scholar who had left them. Floors, doors, and rafters made a great
variety of angles; every room had a particular inclination; the gable had
tilted towards the garden, after the manner of a leaning tower, and one
of the former proprietors had buttressed the building from that side with
a great strut of wood, like the derrick of a crane. Altogether, it had
many marks of ruin; it was a house for the rats to desert; and nothing
but its excellent brightness--the window-glass polished and shining, the
paint well scoured, the brasses radiant, the very prop all wreathed about
with climbing flowers--nothing but its air of a well-tended, smiling
veteran, sitting, crutch and all, in the sunny corner of a garden, marked
it as a house for comfortable people to inhabit. In poor or idle
management it would soon have hurried into the blackguard stages of
decay. As it was, the whole family loved it, and the Doctor was never
better inspired than when he narrated its imaginary story and drew the
character of its successive masters, from the Hebrew merchant who had
re-edified its walls after the sack of the town, and past the mysterious
engraver of the runes, down to the long-headed, dirty-handed boor from
whom he had himself acquired it at a ruinous expense. As for any alarm
about its security, the idea had never presented itself. What had stood
four centuries might well endure a little longer.
Indeed, in this particular winter, after the finding and losing of the
treasure, the Desprez had an anxiety of a very different order, and one
which lay nearer their hearts. Jean-Marie was plainly not himself. He had
fits of hectic activity, when he made unusual exertions to please, spoke
more and faster, and redoubled in attention to his lessons. But these
were interrupted by spells of melancholia and brooding silence, when the
boy was little better than unbearable.
Public-domain text, read in full here on John Shaqi.
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