With Fleeming this disease was never seemingly severe. The very day before this (to me) distasteful letter, he had written to Miss Bell of Manchester in a sweeter strain; I do not quote the one, I quote the other; fair things are the best. "I keep my own little lodgings," he writes, "but come up every night to see mamma" (who was then on a visit to London) "if not kept too late at the works; and have singing-lessons once more, and sing 'Donne l'amore e scaltro pargoletto'; and think and talk about you; and listen to mamma's projects _de_ Stowting. Everything turns to gold at her touch--she's a fairy, and no mistake. We go on talking till I have a picture in my head, and can hardly believe at the end the original is Stowting. Even you don't know half how good mamma is; in other things too, which I must not mention. She teaches me how it is not necessary to be very rich to do much good. I begin to understand that mamma would find useful occupation and create beauty at the bottom of a volcano. She has little weaknesses, but is a real, generous-hearted woman, which I suppose is the finest thing in the world." Though neither mother nor son could be called beautiful, they make a pretty picture; the ugly, generous, ardent woman weaving rainbow illusions; the ugly, clear-sighted, loving son sitting at her side in one of his rare hours of pleasure, half-beguiled, half-amused, wholly admiring, as he listens. But as he goes home, and the fancy pictures fade, and Stowting is once more burthened with debt, and the noisy companions and the long hours of drudgery once more approach, no wonder if the dirty green seems all the dirtier, or if Atlas must resume his load.