The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
because I can't try to write English." When I next saw him he was full
of his new acquisitions. "And yet I have lost something too," he said
regretfully. "Up to now Scott seemed to me quite perfect, he was all I
wanted. Since I have been learning this confounded thing, I took up one
of the novels, and a great deal of it is both careless and clumsy."
V
He spoke four languages with freedom, not even English with any marked
propriety. What he uttered was not so much well said, as excellently
acted: so we may hear every day the inexpressive language of a poorly
written drama assume character and colour in the hands of a good player.
No man had more of the _vis comica_ in private life; he played no
character on the stage as he could play himself among his friends. It
was one of his special charms; now when the voice is silent and the face
still, it makes it impossible to do justice to his power in
conversation. He was a delightful companion to such as can bear bracing
weather; not to the very vain; not to the owlishly wise, who cannot have
their dogmas canvassed; not to the painfully refined, whose sentiments
become articles of faith. The spirit in which he could write that he was
"much revived by having an opportunity of abusing Whistler to a knot of
his special admirers" is a spirit apt to be misconstrued. He was not a
dogmatist, even about Whistler. "The house is full of pretty things," he
wrote, when on a visit; "but Mrs. ----'s taste in pretty things has one
very bad fault: it is not my taste." And that was the true attitude of
his mind; but these eternal differences it was his joy to thresh out and
wrangle over by the hour. It was no wonder if he loved the Greeks; he
was in many ways a Greek himself; he should have been a sophist and met
Socrates; he would have loved Socrates, and done battle with him
staunchly and manfully owned his defeat; and the dialogue, arranged by
Plato, would have shone even in Plato's gallery. He seemed in talk
aggressive, petulant, full of a singular energy; as vain, you would have
said, as a peacock, until you trod on his toes, and then you saw that he
was at least clear of all the sicklier elements of vanity. Soundly rang
his laugh at any jest against himself. He wished to be taken, as he took
others, for what was good in him without dissimulation of the evil, for
what was wise in him without concealment of the childish. He hated a
draped virtue, and despised a wit on its own defence. And he drew (if I
may so express myself) a human and humorous portrait of himself with all
his defects and qualities, as he thus enjoyed in talk the robust sports
of the intelligence; giving and taking manfully, always without
pretence, always without paradox, always with exuberant pleasure;
speaking wisely of what he knew, foolishly of what he knew not; a
teacher, a learner, but still combative; picking holes in what was said
even to the length of captiousness, yet aware of all that was said
Public-domain text, read in full here on John Shaqi.
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