The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
it) she will repeat at the end. Hence, at the very junctures when a talk
between men grows brighter and quicker and begins to promise to bear
fruit, talk between the sexes is menaced with dissolution. The point of
difference, the point of interest, is evaded by the brilliant woman,
under a shower of irrelevant conversational rockets; it is bridged by
the discreet woman with a rustle of silk, as she passes smoothly forward
to the nearest point of safety. And this sort of prestidigitation,
juggling the dangerous topic out of sight until it can be reintroduced
with safety in an altered shape, is a piece of tactics among the true
drawing-room queens.
The drawing-room is, indeed, an artificial place; it is so by our choice
and for our sins. The subjection of women; the ideal imposed upon them
from the cradle, and worn, like a hair-shirt, with so much constancy;
their motherly, superior tenderness to man's vanity and self-importance;
their managing arts--the arts of a civilised slave among good-natured
barbarians--are all painful ingredients and all help to falsify
relations. It is not till we get clear of that amusing artificial scene
that genuine relations are founded, or ideas honestly compared. In the
garden, on the road or the hillside, or _tete-a-tete_ and apart from
interruptions, occasions arise when we may learn much from any single
woman; and nowhere more often than in married life. Marriage is one long
conversation, chequered by disputes. The disputes are valueless; they
but ingrain the difference; the heroic heart of woman prompting her at
once to nail her colours to the mast. But in the intervals, almost
unconsciously and with no desire to shine, the whole material of life is
turned over and over, ideas are struck out and shared, the two persons
more and more adapt their notions one to suit the other, and in process
of time, without sound of trumpet, they conduct each other into new
worlds of thought.
FOOTNOTE:
[14] This sequel was called forth by an excellent article in _The
Spectator_.
XII
THE CHARACTER OF DOGS
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