The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
These words will be familiar to all students of Skelt's Juvenile Drama.
That national monument, after having changed its name to Park's, to
Webb's, to Redington's, and last of all to Pollock's, has now become,
for the most part, a memory. Some of its pillars, like Stonehenge, are
still afoot, the rest clean vanished. In may be the Museum numbers a
full set; and Mr. Ionides perhaps, or else her gracious Majesty, may
boast their great collections; but to the plain private person they are
become, like Raphaels, unattainable. I have, at different times,
possessed _Aladdin_, _The Red Rover_, _The Blind Boy_, _The Old Oak
Chest_, _The Wood Daemon_, _Jack Sheppard_, _The Miller and his Men_,
_Der Freischuetz_, _The Smuggler_, _The Forest of Bondy_, _Robin Hood_,
_The Waterman_, _Richard I._, _My Poll and my Partner Joe_, _The
Inchcape Bell_ (imperfect), and _Three-Fingered Jack_, _The Terror of
Jamaica_; and I have assisted others in the illumination of _The Maid of
the Inn_ and _The Battle of Waterloo_. In this roll-call of stirring
names you read the evidences of a happy childhood; and though not half
of them are still to be procured of any living stationer, in the mind of
their once happy owner all survive, kaleidoscopes of changing pictures,
echoes of the past.
There stands, I fancy, to this day (but now how fallen!) a certain
stationer's shop at a corner of the wide thoroughfare that joins the
city of my childhood with the sea. When, upon any Saturday, we made a
party to behold the ships, we passed that corner; and since in those
days I loved a ship as a man loves Burgundy or daybreak, this of itself
had been enough to hallow it. But there was more than that. In the Leith
Walk window, all the year round, there stood displayed a theatre in
working order, with a "forest set," a "combat," and a few "robbers
carousing" in the slides; and below and about, dearer tenfold to me! the
plays themselves, those budgets of romance, lay tumbled one upon
another. Long and often have I lingered there with empty pockets. One
figure, we shall say, was visible in the first plate of characters,
bearded, pistol in hand, or drawing to his ear the clothyard arrow; I
would spell the name: was it Macaire, or Long Tom Coffin, or Grindoff,
2d dress? O, how I would long to see the rest! how--if the name by
chance were hidden--I would wonder in what play he figured, and what
immortal legend justified his attitude and strange apparel! And then to
go within, to announce yourself as an intending purchaser, and, closely
watched, be suffered to undo those bundles and breathlessly devour those
pages of gesticulating villains, epileptic combats, bosky forests,
palaces and war-ships, frowning fortresses and prison vaults--it was a
giddy joy. That shop, which was dark and smelt of Bibles, was a
loadstone rock for all that bore the name of boy. They could not pass it
by, nor, having entered, leave it. It was a place besieged; the shopmen,
Public-domain text, read in full here on John Shaqi.
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