The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
Or perhaps it is La Valliere that the reader of "Vingt Ans Apres" is
inclined to flee. Well, he is right there too, though not so right.
Louise is no success. Her creator has spared no pains; she is
well-meant, not ill-designed, sometimes has a word that rings out true;
sometimes, if only for a breath, she may even engage our sympathies. But
I have never envied the King his triumph. And so far from pitying
Bragelonne for his defeat, I could wish him no worse (not for lack of
malice, but imagination) than to be wedded to that lady. Madame enchants
me; I can forgive that royal minx her most serious offences; I can
thrill and soften with the King on that memorable occasion when he goes
to upbraid and remains to flirt; and when it comes to the "_Allons,
aimez-moi donc_," it is my heart that melts in the bosom of de Guiche.
Not so with Louise. Readers cannot fail to have remarked that what an
author tells us of the beauty or the charm of his creatures goes for
nought; that we know instantly better; that the heroine cannot open her
mouth but what, all in a moment, the fine phrases of preparation fall
from round her like the robes from Cinderella, and she stands before
us, self-betrayed, as a poor, ugly, sickly wench, or perhaps a strapping
market-woman. Authors, at least, know it well; a heroine will too often
start the trick of "getting ugly"; and no disease is more difficult to
cure. I said authors; but indeed I had a side eye to one author in
particular, with whose works I am very well acquainted, though I cannot
read them, and who has spent many vigils in this cause, sitting beside
his ailing puppets and (like a magician) wearying his art to restore
them to youth and beauty. There are others who ride too high for these
misfortunes. Who doubts the loveliness of Rosalind? Arden itself was not
more lovely. Who ever questioned the perennial charm of Rose Jocelyn,
Lucy Desborough, or Clara Middleton? fair women with fair names, the
daughters of George Meredith. Elizabeth Bennet has but to speak, and I
am at her knees. Ah! these are the creators of desirable women. They
would never have fallen in the mud with Dumas and poor La Valliere. It
is my only consolation that not one of all of them, except the first,
could have plucked at the moustache of d'Artagnan.
Public-domain text, read in full here on John Shaqi.
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