"All sons are, I guess," said I. "I have the same trouble on my
conscience: we can shake hands on that," Which (oddly enough, perhaps)
we did.
Amongst the papers we found a considerable sprinkling of photographs;
for the most part either of very debonair-looking young ladies or old
women of the lodging-house persuasion. But one among them was the means
of our crowning discovery.
"They're not pretty, are they, Mr. Dodd?" said Nares, as he passed it
over.
"Who?" I asked, mechanically taking the card (it was a quarter-plate) in
hand, and smothering a yawn; for the hour was late, the day had been
laborious, and I was wearying for bed.
"Trent and Company," said he. "That's a historic picture of the gang."
I held it to the light, my curiosity at a low ebb: I had seen Captain
Trent once, and had no delight in viewing him again. It was a photograph
of the deck of the brig, taken from forward: all in apple-pie order; the
hands gathered in the waist, the officers on the poop. At the foot of
the card was written, "Brig _Flying Scud_, Rangoon," and a date; and
above or below each individual figure the name had been carefully noted.
As I continued to gaze, a shock went through me; the dimness of sleep
and fatigue lifted from my eyes, as fog lifts in the Channel; and I
beheld with startled clearness the photographic presentment of a crowd
of strangers. "J. Trent, Master" at the top of the card directed me to a
smallish, wizened man, with bushy eyebrows and full white beard, dressed
in a frock-coat and white trousers; a flower stuck in his button-hole,
his bearded chin set forward, his mouth clenched with habitual
determination. There was not much of the sailor in his looks, but plenty
of the martinet; a dry, precise man, who might pass for a preacher in
some rigid sect; and, whatever he was, not the Captain Trent of San
Francisco. The men, too, were all new to me: the cook, an unmistakable
Chinaman, in his characteristic dress, standing apart on the poop
steps. But perhaps I turned on the whole with the greatest curiosity to
the figure labelled "E. Goddedaal, 1st off." He whom I had never seen,
he might be the identical; he might be the clue and spring of all this
mystery; and I scanned his features with the eye of a detective. He was
of great stature, seemingly blonde as a Viking, his hair clustering
round his head in frowsy curls, and two enormous whiskers, like the
tusks of some strange animal, jutting from his cheeks. With these virile
appendages and the defiant attitude in which he stood, the expression of
his face only imperfectly harmonised. It was wild, heroic, and
womanish-looking; and I felt I was prepared to hear he was a
sentimentalist, and to see him weep.
Public-domain text, read in full here on John Shaqi.
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