The Works of Robert Louis Stevenson - Swanston Edition, Vol. 15Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 15
Stevenson, Robert Louis
English literature -- 19th century
DUMONT. It is NOT. Feel in your pockets. (_To the others._) Will you
have the kindness to find my patent key?
ALL. O!! (_Hunt resumed._)
MACAIRE. Ah, well, you're right. (_He slips key into DUMONT'S pocket._)
An idea: suppose you felt in your pocket?
ALL (_rising_). Yes! Suppose you did!
DUMONT. I will not feel in my pockets. How could it be there? It's a
patent key. This is more than any man can bear. First, Charles is one
man's son, and then he's another's, and then he's nobody's, and be
damned to him! And then there's my key lost; and then there's your key!
What is your key? Where is your key? Where isn't it? And why is it like
mine, only mine's a patent? The long and short of it is this: that I'm
going to bed, and that you're all going to bed, and that I refuse to
hear another word upon the subject or upon any subject. There!
MACAIRE. Bitten! \
> _Aside._
BERTRAND. Sold again! /
(_ALINE and MAIDS extinguish hanging lamps over tables, R. and L. Stage
lighted only by guests' candles._)
CHARLES. But, sir, I cannot decently retire to rest till I embrace my
honoured parent. Which is it to be?
MACAIRE. Charles, to my----
DUMONT. Embrace neither of them; embrace nobody; there has been too much
of this sickening folly. To bed!!! (_Exit violently R.U.E. All the
characters troop slowly upstairs, talking in dumb show. BERTRAND and
MACAIRE remain in front C., watching them go._)
BERTRAND. Sold again, captain?
MACAIRE. Ay, they will have it.
BERTRAND. It? What?
MACAIRE. The worst, Bertrand. What is man?--a beast of prey. An hour
ago, and I'd have taken a crust and gone in peace. But no: they would
trick and juggle, curse them: they would wriggle and cheat! Well, I
accept the challenge: war to the knife.
BERTRAND. Murder?
MACAIRE. What is murder? A legal term for a man dying. Call it Fate, and
that's philosophy; call me Providence, and you talk religion. Die? Why,
that is what man is made for; we are full of mortal parts; we are all as
good as dead already, we hang so close upon the brink: touch a button,
and the strongest falls in dissolution. Now, see how easy: I take
you----(_grappling him_).
BERTRAND. Macaire--O no!
MACAIRE. Fool! Would I harm a fly, when I had nothing to gain? As the
butcher with the sheep, I kill to live; and where is the difference
between man and mutton? pride and a tailor's bill. Murder? I know who
made that name--a man crouching from the knife! Selfishness made it--the
aggregated egotism called society; but I meet that with a selfishness as
great. Has he money? Have I none--great powers, none? Well, then, I
fatten and manure my life with his.
BERTRAND. You frighten me. Who is it?
MACAIRE. Mark well. (_The MARQUIS opens the door of Number Thirteen, and
the rest, clustering round, bid him good-night. As they begin to
disperse along the gallery he enters and shuts the door._) Out, out,
brief candle! That man is doomed.
DROP
ACT III
Public-domain text, read in full here on John Shaqi.
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