The Works of Robert Louis Stevenson - Swanston Edition, Vol. 17Stevenson, Robert Louis
History
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 17
Stevenson, Robert Louis
Islands of the Pacific -- Fiction; Samoan Islands -- History; Short stories
Well, this kind of talk put in the evening, which was the best of it;
but of course it didn't change my notion, and the next day, with my gun
and a good knife, I set off upon a voyage of discovery. I made, as near
as I could, for the place where I had seen Case come out; for if it was
true he had some kind of establishment in the bush I reckoned I should
find a path. The beginning of the desert was marked off by a wall to
call it so, for it was more of a long mound of stones. They say it
reaches right across the island, but how they know it is another
question, for I doubt if anyone has made the journey in a hundred years,
the natives sticking chiefly to the sea, and their little colonies along
the coast, and that part being mortal high and steep and full of cliffs.
Up to the west side of the wall the ground has been cleared, and there
are cocoa-palms and mummy-apples and guavas, and lots of sensitive. Just
across, the bush begins outright; high bush at that, trees going up like
the masts of ships, and ropes of liana hanging down like a ship's
rigging, and nasty orchids growing in the forks like funguses. The
ground where there was no underwood looked to be a heap of boulders. I
saw many green pigeons which I might have shot, only I was there with a
different idea. A number of butterflies flopped up and down along the
ground like dead leaves; sometimes I would hear a bird calling,
sometimes the wind overhead, and always the sea along the coast.
But the queerness of the place it's more difficult to tell of, unless to
one who has been alone in the high bush himself. The brightest kind of a
day it is always dim down there. A man can see to the end of nothing;
whichever way he looks the wood shuts up, one bough folding with another
like the fingers of your hand; and whenever he listens he hears always
something new--men talking, children laughing, the strokes of an axe a
far way ahead of him, and sometimes a sort of a quick, stealthy scurry
near at hand that makes him jump and look to his weapons. It's all very
well for him to tell himself that he's alone, bar trees and birds; he
can't make out to believe it; whichever way he turns the whole place
seems to be alive and looking on. Don't think it was Uma's yarns that
put me out; I don't value native talk a fourpenny-piece; it's a thing
that's natural in the bush, and that's the end of it.
Public-domain text, read in full here on John Shaqi.
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