The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20
Stevenson, Robert Louis
French -- England -- Fiction; Prisoners of war -- Fiction
And here I came to a full stop. It was upon my tongue to have told him
the story of the drovers, but at the first word of it my voice died in
my throat. There might be a limit to the lawyer's toleration, I
reflected. I had not been so long in Britain altogether; for the most
part of that time I had been by the heels in limbo in Edinburgh Castle;
and already I had confessed to killing one man with a pair of scissors;
and now I was to go on and plead guilty to having settled another with a
holly stick! A wave of discretion went over me as cold and as deep as
the sea.
"In short, sir, this is a matter of feeling," I concluded, "and nothing
will prevent my going to Edinburgh."
If I had fired a pistol in his ear he could not have been more startled.
"To Edinburgh?" he repeated. "Edinburgh? where the very paving-stones
know you!"
"Then is the murder out!" said I. "But, Mr. Romaine, is there not
sometimes safety in boldness? Is it not a common-place of strategy to
get where the enemy least expects you? And where would he expect me
less?"
"Faith, there is something in that, too!" cried the lawyer. "Ay,
certainly, a great deal in that. All the witnesses drowned but one, and
he safe in prison; you yourself changed beyond recognition--let us
hope--and walking the streets of the very town you have illustrated by
your--well, your eccentricity! It is not badly combined, indeed!"
"You approve it, then?" said I.
"O, approve!" said he; "there is no question of approval. There is only
one course which I could approve, and that were to escape to France
instanter."
"You do not wholly disapprove, at least?" I substituted.
"Not wholly; and it would not matter if I did," he replied. "Go your own
way; you are beyond argument. And I am not sure that you will run more
danger by that course than by any other. Give the servants time to get
to bed and fall asleep, then take a country cross-road and walk, as the
rhyme has it, like blazes all night. In the morning take a chaise or
take the mail at pleasure, and continue your journey with all the
decorum and reserve of which you shall be found capable."
"I am taking the picture in," I said. "Give me time. 'Tis the _tout
ensemble_ I must see: the whole as opposed to the details."
"Mountebank!" he murmured.
"Yes, I have it now; and I see myself with a servant, and that servant
is Rowley," said I.
"So as to have one more link with your uncle?" suggested the lawyer.
"Very judicious!"
"And, pardon me, but that is what it is," I exclaimed. "Judicious is the
word. I am not making a deception fit to last for thirty years; I do not
found a palace in the living granite for the night. This is a shelter
tent--a flying picture--seen, admired, and gone again in the wink of an
eye. What is wanted, in short, is a _trompe-l'oeil_ that shall be good
enough for twelve hours at an inn: is it not so?"
"It is, and the objection holds. Rowley is but another danger," said
Romaine.
Public-domain text, read in full here on John Shaqi.
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