The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20Stevenson, Robert Louis
General
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 20
Stevenson, Robert Louis
French -- England -- Fiction; Prisoners of war -- Fiction
I pulled out my watch. A fickle ray--the merest filtration of
moonlight--glimmered on the dial. Fourteen minutes past one! "Past yin
o'clock, and a dark, haary moarnin'." I recalled the bull voice of the
watchman as he had called it on the night of our escape from the
Castle--its very tones: and this echo of memory seemed to strike and
reverberate the hour closing a long day of fate. Truly, since that night
the hands had run full circle, and were back at the old starting-point.
I had seen dawn, day: I had basked in the sunshine of men's respect; I
was back in Stygian night--back in the shadow of that infernal
Castle--still hunted by the law--with possibly a smaller chance than
ever of escape--the cockshy of the elements--with no shelter for my head
but a Paisley shawl of violent pattern. It occurred to me that I had
travelled much in the interval, and run many risks, to exchange a suit
of mustard-yellow for a Paisley shawl and a ball dress that matched
neither it nor the climate of the Pentlands. The exhilaration of the
ball, the fighting spirit, the last communicated thrill of Flora's hand,
died out of me. In the thickening envelope of sea-fog I felt like a
squirrel in a rotatory cage. That was a lugubrious hour.
To speak precisely, those were seven lugubrious hours; since Flora would
not be due before eight o'clock, if, indeed, I might count on her
eluding her double cordon of spies. The question was, whither to turn in
the meantime? Certainly not back to the town. In the near neighbourhood
I knew of no roof but "The Hunters' Tryst," by Alexander Hendry.
Suppose that I found it (and the chances in that fog were perhaps
against me), would Alexander Hendry; aroused from his bed, be likely to
extend his hospitality to a traveller with no more luggage than a
Paisley shawl? He might think I had stolen it. I had borne it down the
staircase under the eyes of the runners, and the pattern was bitten upon
my brain. It was doubtless unique in the district and familiar: an
oriflamme of battle over the barter of dairy produce and malt liquors.
Alexander Hendry _must_ recognise it, and with an instinct of
antagonism. Patently it formed no part of my proper wardrobe: hardly
could it be explained as a _gage d'amour_. Eccentric hunters trysted
under Hendry's roof; the Six-Foot Club, for instance. But a hunter in a
frilled shirt and waistcoat sprigged with forget-me-nots! And the house
would be watched, perhaps. Every house around would be watched.
Public-domain text, read in full here on John Shaqi.
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