The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 21
Stevenson, Robert Louis
English literature -- 19th century
Arm in arm, and staggering against the wind, Rorie and I won every yard
of ground with conscious effort. We slipped on the wet sod, we fell
together sprawling on the rocks. Bruised, drenched, beaten, and
breathless, it must have taken us near half an hour to get from the
house down to the Head that overlooks the Roost. There, it seemed, was
my uncle's favourite observatory. Right in the face of it, where the
cliff is highest and most sheer, a hump of earth, like a parapet, makes
a place of shelter from the common winds, where a man may sit in quiet
and see the tide and the mad billows contending at his feet. As he might
look down from the window of a house upon some street disturbance, so,
from this post, he looks down upon the tumbling of the Merry Men. On
such a night, of course, he peers upon a world of blackness, where the
waters wheel and boil, where the waves joust together with the noise of
an explosion, and the foam towers and vanishes in the twinkling of an
eye. Never before had I seen the Merry Men thus violent. The fury,
height, and transiency of their spoutings was a thing to be seen and not
recounted. High over our heads on the cliff rose their white columns in
the darkness; and the same instant, like phantoms, they were gone.
Sometimes three at a time would thus aspire and vanish; sometimes a gust
took them, and the spray would fall about us, heavy as a wave. And yet
the spectacle was rather maddening in its levity than impressive by its
force. Thought was beaten down by the confounding uproar; a gleeful
vacancy possessed the brains of men, a state akin to madness; and I
found myself at times following the dance of the Merry Men as it were a
tune upon a jigging instrument.
I first caught sight of my uncle when we were still some yards away in
one of the flying glimpses of twilight that chequered the pitch darkness
of the night. He was standing up behind the parapet, his head thrown
back and the bottle to his mouth. As he put it down, he saw and
recognised us with a toss of one hand fleeringly above his head.
"Has he been drinking?" shouted I to Rorie.
"He will aye be drunk when the wind blaws," returned Rorie in the same
high key, and it was all that I could do to hear him.
"Then--was he so--in February?" I inquired.
Public-domain text, read in full here on John Shaqi.
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