The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
The road from Turnberry to Girvan lies along the shore, among sandhills
and by wildernesses of tumbled bent. Every here and there a few cottages
stood together beside a bridge. They had one odd feature, not easy to
describe in words: a triangular porch projected from above the door,
supported at the apex by a single upright post; a secondary door was
hinged to the post, and could be hasped on either cheek of the real
entrance; so, whether the wind was north or south, the cotter could make
himself a triangular bight of shelter where to set his chair and finish
a pipe with comfort. There is one objection to this device: for, as the
post stands in the middle of the fairway, any one precipitately issuing
from the cottage must run his chance of a broken head. So far as I am
aware, it is peculiar to the little corner of country about Girvan. And
that corner is noticeable for more reasons: it is certainly one of the
most characteristic districts in Scotland. It has this movable porch by
way of architecture; it has, as we shall see, a sort of remnant of
provincial costume, and it has the handsomest population in the
Lowlands....
FOOTNOTE:
[41] William Abercrombie. See _Fasti Ecclesiae Scoticanae_, under
"Maybole" (Part iii.).
VIII
FOREST NOTES
(1875-6)
ON THE PLAIN
Perhaps the reader knows already the aspect of the great levels of the
Gatinais, where they border with the wooded hills of Fontainebleau. Here
and there a few grey rocks creep out of the forest as if to sun
themselves. Here and there a few apple-trees stand together on a knoll.
The quaint, undignified tartan of a myriad small fields dies out into
the distance; the strips blend and disappear; and the dead flat lies
forth open and empty, with no accident save perhaps a thin line of trees
or faint church-spire against the sky. Solemn and vast at all times, in
spite of pettiness in the near details, the impression becomes more
solemn and vast towards evening. The sun goes down, a swollen orange, as
it were into the sea. A blue-clad peasant rides home, with a harrow
smoking behind him among the dry clods. Another still works with his
wife in their little strip. An immense shadow fills the plain; these
people stand in it up to their shoulders; and their heads, as they stoop
over their work and rise again, are relieved from time to time against
the golden sky.
Public-domain text, read in full here on John Shaqi.
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