The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
"_A table, Messieurs!_" cries M. Siron, bearing through the court the
first tureen of soup. And immediately the company begins to settle down
about the long tables in the dining-room, framed all round with sketches
of all degrees of merit and demerit. There's the big picture of the
huntsman winding a horn with a dead boar between his legs, and his
legs--well, his legs in stockings. And here is the little picture of a
raw mutton-chop, in which Such-a-one knocked a hole last summer with no
worse a missile than a plum from the dessert. And under all these works
of art so much eating goes forward, so much drinking, so much jabbering
in French and English, that it would do your heart good merely to peep
and listen at the door. One man is telling how they all went last year
to the fete at Fleury, and another how well So-and-so would sing of an
evening; and here are a third and fourth making plans for the whole
future of their lives; and there is a fifth imitating a conjuror making
faces on his clenched fist, surely of all arts the most difficult and
admirable! A sixth has eaten his fill, lights a cigarette, and resigns
himself to digestion. A seventh has just dropped in, and calls for
soup. Number eight, meanwhile, has left the table, and is once more
trampling the poor piano under powerful and uncertain fingers.
Dinner over, people drop outside to smoke and chat. Perhaps we go along
to visit our friends at the other end of the village, where there is
always a good welcome and a good talk, and perhaps some pickled oysters
and white wine to close the evening. Or a dance is organised in the
dining-room, and the piano exhibits all its paces under manful
jockeying, to the light of three or four candles and a lamp or two,
while the waltzers move to and fro upon the wooden floor, and sober men,
who are not given to such light pleasures, get up on the table or the
sideboard, and sit there looking on approvingly over a pipe and a
tumbler of wine. Or sometimes--suppose my lady moon looks forth, and the
court from out the half-lit dining-room seems nearly as bright as by
day, and the light picks out the window-panes, and makes a clear shadow
under every vine leaf on the wall--sometimes a picnic is proposed, and a
basket made ready, and a good procession formed in front of the hotel.
The two trumpeters in honour go before; and as we file down the long
alley, and up through devious footpaths among rocks and pine-trees, with
every here and there a dark passage of shadow, and every here and there
a spacious outlook over moonlit woods, these two precede us and sound
many a jolly flourish as they walk. We gather ferns and dry boughs into
the cavern, and soon a good blaze flutters the shadows of the old
bandits' haunt, and shows shapely beards and comely faces and toilettes
ranged about the wall. The bowl is lit, and the punch is burnt and sent
round in scalding thimblefuls. So a good hour or two may pass with song
and jest.
Public-domain text, read in full here on John Shaqi.
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